Herbert: Bodily Functions (Special Edition)
Thomas H Green
Herbert: Bodily Functions (Special Edition)
Thomas H Green
From being disowned by his family to writing the ultimate hangover lament, Kris Kristofferson has, partly, led the life of a country song. The other part, however, has included a Rhodes scholarship to Oxford, an illustrious movie career and dating Barbara Streisand. In 1971 he famously sang about being “partly truth and partly fiction - a walking contradiction”. Now, at 76, the Texan’s clever lines enjoy a lower profile. Still, this year’s Feeling Mortal has won widespread praise.
Support bands tend to get short shrift, but it would be criminal not to give Evil Blizzard their due here. Made up of three bass guitarists with assorted effects pedals and a drummer who also sang, three members of the band were in pink pyjamas and wearing masks, while the fourth was in black leather and a Hawkwind hairdo. They produced industrial levels of noise around steady riffs and a variety of filthy bass sounds.
Usually when a band playing a venue the size of the Brighton Centre asks if the crowd would like to hear a new song the response is somewhat muted. However, this is a crowd of eager fans, average age around 17, and they yell back affirmatively with all their might. Rizzle Kicks are in their home city and it shows (especially when they later lead a chant for Brighton and Hove Albion FC – “Seagulls! Seagulls”).
Over the last couple of months Mumford & Sons have quietly become the biggest band in the world. If there was a coronation it came at some point between the headline-making second album, Babel, and this sell-out first arena tour. When the announcement came earlier this week that the folky foursome are to headline next year’s 20th anniversary T in the Park festival, I seemed to be the only one who was surprised.
Elbow are responsible for a remarkable conjuring trick. Earlier this year their song “First Steps” stirringly soundtracked the BBC’s Olympic credit sequence, and then at the Closing Ceremony they serenaded the athletes into the London 2012 stadium with “Open Arms” and “One Day Like This”. Their musical message of harmony and celebration - of higher, faster, stronger, cheerier - ought by rights to sound like the most grating of bromides.
Guitar virtuoso RM Hubbert is something of an unlikely champion of quiet music. In fact, if you haven’t yet heard the gorgeous Thirteen Lost and Found, the Chemikal Underground debut on which the guitarist invited friends including Aidan Moffat, Alex Kapranos and Alasdair Roberts to supplement the instrumentals with which he made his name, you might wonder what Hubbert - a heavily-tattooed onetime member of various Glasgow hardcore bands - is doing co-curating a festival with the unlikely label of Shhh!
Before Glasvegas took off James Allan played professional football in Scotland. He did not quite make the highest echelon in his soccer career and after a blistering start, when his band was championed as the Next Great Guitar Group, things haven't been looking too hopeful in his music career either. Glasvegas was dropped by Columbia Records after their second album, and when I heard they were playing this small club in the run-up to the 2013 release of their third album, Later...When The TV Turns To Static, I wondered if maybe their record label had a point.
Nostalgia is not what it used to be. With kids who were not even born when Mick Jagger first shimmied across the stage singing the praises of the Rolling Stones, it was nice to see an audience at the Shepherds Bush Empire, give or take a few young goths of no fixed hairstyle, almost perfectly fitting the expected Adam Ant demographic. Well-preserved women who loved the pop hits, bulkier men who liked the punk phase.