mon 29/04/2024

theartsdesk com, first with arts reviews, news and interviews

Boyd Tonkin
Monday, 29 April 2024
As he approaches his 70th birthday, Masaaki Suzuki has not just travelled into pastures new but proved himself thoroughly at home in them. The founder-director (in 1990) of Bach...
Jane Edwardes
Monday, 29 April 2024
Small scale shows, nurtured in offbeat places, are becoming all the rage in the West End. Red Pitch, Operation Mincemeat, For Black Boys… have already made their mark, and now...
Sarah Kent
Monday, 29 April 2024
In 1903, Wassily Kandinsky painted a figure in a blue cloak galloping across a landscape on a white horse. Several years later the name of the painting, The Blue Rider (der Blaue...
Guy Oddy
Monday, 29 April 2024
On Friday evening, dance veterans Orbital touched down in Birmingham to celebrate two of the most significant and acclaimed albums in rave culture. These discs may both be over 30...
Veronica Lee
Monday, 29 April 2024
An appearance on Taskmaster and the publication of her acclaimed memoir Strong Female Character have helped propel Fern Brady into the comedy big time – and now comes the accolade...
Kieron Tyler
Monday, 29 April 2024
The Lemon Twigs aren’t shy about telegraphing their inspirations. A Dream is all we Know, their swift follow-up to last May’s Everything Harmony, is stuffed with references. “...
David Nice
Sunday, 28 April 2024
Four years embracing pandemic, genocide and rapid environmental degradation predicted by Wagner’s grand myth have passed...
Kieron Tyler
Sunday, 28 April 2024
Edinburgh’s Rezillos were booked to play Middlesbrough’s Rock Garden on Wednesday 14 September 1977. “I Can’t Stand my Baby...
Nick Hasted
Saturday, 27 April 2024
The last of the old maestros is standing tall. Marco Bellocchio was a Marxist firebrand when he made his iconoclastic debut...
Gary Naylor
Saturday, 27 April 2024
Cricket has always been a lens through which to examine the legacy of the British Empire. In the 1930s, the infamous...
Graham Rickson
Saturday, 27 April 2024
 Chopin: Études op.10 & op.25 Yunchan Lim (Decca)Chopin Nicolas van Poucke (Night Dreamer)I’m reviewing these two...
Thomas H Green
Saturday, 27 April 2024
Justice are a couple of super-suave rock star analogues. Leathers and aviators, yes, but with a very Parisian insouciance....
Justine Elias
Friday, 26 April 2024
Earthrise, the 1968 Apollo 8 photograph of our small island of a planet, taken from the Moon’s surface, transformed our...
Cheri Amour
Friday, 26 April 2024
The thing with Annie Clark, better known as the triple-Grammy-winning iconoclast St Vincent, is that much like an actual...
Mark Sheerin
Thursday, 25 April 2024
With a troubled gaze and a lived-in face, the portrait of artist Alberto Giacometti on a withdrawn Swiss banknote is strange...
Rachel Halliburton
Thursday, 25 April 2024
The French cellist Christian-Pierre La Marca confesses that – like so many classical musicians – he was at a loss during...
Markie Robson-Scott
Thursday, 25 April 2024
In director Pat Collins’s lyrical adaptation of John McGahern’s last novel, with cinematography by Richard Kendrick, the...
Joe Muggs
Thursday, 25 April 2024
This album came with an absolutely enormous promo campaign. As well as actual advertising there were “Audience With…” events...
David Nice
Wednesday, 24 April 2024
Advice to young musicians, as given at several “how to market your career” seminars: don’t begin a biography with “one of...
 

★★★★ BLUE LIGHTS SERIES 2, BBC ONE Still our best cop show despite a slacker structure

★★★★ I.S.S. Sci-fi with a sting in the tail

★★★★ LONDON TIDE, NATIONAL THEATRE Haunting moody river blues set to Dickens

★★★ TESTMATCH, THE ORANGE TREE THEATRE Kate Attwell packs too much into her kitbag as India challenges England  

★★★★ ST VINCENT - ALL BORN SCREAMING Annie Clark transcends indie’s average leanings

★★ CHRISTIAN PIERRE LA MARCA, YAMAN OKUR, ST MARTIN-IN-THE-FIELDS A collaboration between a cellist and a breakdancer doesn't achieve lift off

★★★★★ EYE TO EYE: HOMAGE TO ERNST SCHEIDEGGER, MASI LUGANO Era-defining artist portraits

★★★★ THAT THEY MAY FACE THE RISING SUN Pat Collins extracts the magic of country life in the west of Ireland in his third feature film

★★★★ THE SONGS OF JONI MITCHELL, ROUNDHOUSE Fans old and new toast an icon of our age

disc of the day

Album: The Lemon Twigs - A Dream Is All We Know

When self-assurance trumps unashamedly showcasing influences

tv

Blue Lights Series 2, BBC One review - still our best cop show despite a slacker structure

The engaging Belfast cops are less tightly focused this time around

Baby Reindeer, Netflix review - a misery memoir disturbingly presented

Richard Gadd's double traumas are a difficult watch but ultimately inspiring

Anthracite, Netflix review - murderous mysteries in the French Alps

Who can unravel the ghastly secrets of the town of Lévionna?

film

theartsdesk Q&A: Marco Bellocchio - the last maestro

Italian cinema's vigorous grand old man discusses Kidnapped, conversion, anarchy and faith in cinema

I.S.S. review - sci-fi with a sting in the tail

The imperilled space station isn't the worst place to be

That They May Face The Rising Sun review - lyrical adaptation of John McGahern's novel

Pat Collins extracts the magic of country life in the west of Ireland in his third feature film

new music

Orbital, O2 Institute, Birmingham review - the techno titans celebrate their rave years in style

The 'Green' and 'Brown' albums get a full airing to an ecstatic crowd

Album: The Lemon Twigs - A Dream Is All We Know

When self-assurance trumps unashamedly showcasing influences

classical

Queyras, Philharmonia, Suzuki, RFH review - Romantic journeys

Japan's Bach maestro flourishes in fresh fields

Classical CDs: Swans, hamlets and bossa nova

A promising young pianist's debut disc, plus Finnish mythology and a trio of neglected British composers

Christian Pierre La Marca, Yaman Okur, St Martin-in-The-Fields review - engagingly subversive pairing falls short

A collaboration between a cellist and a breakdancer doesn't achieve lift off

theatre

Two Strangers (Carry A Cake Across New York), Criterion Theatre review - rueful and funny musical gets West End upgrade
A Brit and a New Yorker struggle to find common ground in lively new British musical
Testmatch, Orange Tree Theatre review - Raj rage, old and new, flares in cricket dramedy
Winning performances cannot overcome a scattergun approach to a ragbag of issues
Banging Denmark, Finborough Theatre review - lively but confusing comedy of modern manners
Superb cast deliver Van Badham's anti-incel barbs and feminist wit with gusto

dance

All You Need Is Death review - a future folk horror classic

Irish folkies seek a cursed ancient song in Paul Duane's impressive fiction debut

MacMillan Celebrated, Royal Ballet review - out of mothballs, three vintage works to marvel at

Less-known pieces spanning the career of a great choreographer underline his greatness

Carmen, English National Ballet review - lots of energy, even violence, but nothing new to say

Johan Inger's take on Carmen tries but fails to make a point about male violence

Books

Jonn Elledge: A History of the World in 47 Borders review - a view from the boundaries

Enjoyable journey through the byways of how lines on maps have shaped the modern world

Lisa Kaltenegger: Alien Earths review - a whole new world

Kaltenegger's traverses space in her thoughtful exploration of the search for life among the stars

Heather McCalden: The Observable Universe review - reflections from a damaged life

An artist pens a genre-spanning work of tender inconclusiveness

visual arts

Eye to Eye: Homage to Ernst Scheidegger, MASI Lugano review - era-defining artist portraits

One of Switzerland's greatest photographers celebrated with a major retrospective

Stephen review - a breathtakingly good first feature by a multi-media artist

Melanie Manchot's debut is strikingly intelligent and compelling

latest comments

Saw this wonderful opera last night in Cheltenham...

Couldn't agree more. THIS is the one to see to...

I watched it yesterday and it made feel like "Oh...

I saw this today at The Curve, why any theatre...

Y'all be giving out 100's like hotcakes, do y'all...

Seen in Oxford 9th April.  I agree entirely...

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