La Verità in Cimento, Garsington Opera | reviews, news & interviews
La Verità in Cimento, Garsington Opera
La Verità in Cimento, Garsington Opera
A Vivaldi premiere may just be the dark horse of this season's summer opera
Tuesday, 21 June 2011
Duncan Hayler's icy kingdom offers an alternative to turbans and Turkish carpetsJohan Persson
With so many of the premieres and rediscoveries of the summer opera season coming from the bel canto repertoire, it’s lovely to see Garsington Opera striking out in a different direction. Following on from last year’s L'Incoronazione di Dario (and culminating aptly next year in L’Olimpiade), the company this year offer up that exotic rarity La verità in cimento – a middle-period Vivaldi opera, behind the veil of whose unfamiliar title are hiding a harem of flashing-eyed arias and seductive orchestral writing.
With so many of the premieres and rediscoveries of the summer opera season coming from the bel canto repertoire, it’s lovely to see Garsington Opera striking out in a different direction. Following on from last year’s L'Incoronazione di Dario (and culminating aptly next year in L’Olimpiade), the company this year offer up that exotic rarity La verità in cimento – a middle-period Vivaldi opera, behind the veil of whose unfamiliar title are hiding a harem of flashing-eyed arias and seductive orchestral writing.
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