Turnage 50th birthday, CBSO Centre, Birmingham | reviews, news & interviews
Turnage 50th birthday, CBSO Centre, Birmingham
Turnage 50th birthday, CBSO Centre, Birmingham
Essex-boy composer in middle age is master of movement, Stravinsky and jazz
Monday, 15 November 2010
Mark-Anthony Turnage: Astonishingly assured
Hard to believe that Mark-Anthony Turnage, the bovver-booted, tank-topped composer of Night Dances and Greek in the 1980s, has reached his half-century. The Essex-boy image is still intact, somewhat mellowed perhaps; the boots have gone, the tank top remains, and the music has lost not one iota of its original brilliance and pizzazz.
Hard to believe that Mark-Anthony Turnage, the bovver-booted, tank-topped composer of Night Dances and Greek in the 1980s, has reached his half-century. The Essex-boy image is still intact, somewhat mellowed perhaps; the boots have gone, the tank top remains, and the music has lost not one iota of its original brilliance and pizzazz.
Turnage learnt about movement and sound, one feels, from two teachers: Stravinsky and jazz. Perhaps also a third, pop music
Explore topics
Share this article
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more Classical music
theartsdesk Q&A: young pianist Ignas Macknickas on appearing at the Roman River Festival and beyond
A rising talent who first performed with the Lithuanian State Symphony Orchestra aged 9
Donohoe, Roscoe, Stoller Hall, Manchester review - two great pianists celebrate 50 years
The special chemistry of two-piano duet, with virtuosity, humour and depth
Wang, Lapwood, LSO, Pappano, Barbican review - grace and power from two keyboard heroines
Full-strength fun on an evening of spectacle and swagger
Beethoven Sonata Cycle 1, Boris Giltburg, Wigmore Hall review - running the gamut
From the official first to the toughest – quite a launch for a series this pianist knows well
Classical CDs: Soft toys, starlings and tarantellas
French piano duets, a sung ballet plus two discs of viola music
Prom 71, Seong-Jin Cho review - refined Romantic journeys
Taste and grace from the Korean prize-winner in Ravel and Liszt
Frang, LSO, Pappano, Barbican review - a concerto performance to treasure
Outstanding Elgar and full orchestral throttle in Holst
LSO, Pappano, Barbican review - singular adventures for a new era
A quick-change MacMillan premiere finds correspondences in singular Sibelius
First Person: Alexandra Dariescu on highlighting women at the Leeds International Piano Competition
A distinguished pianist fights for more balanced international programming
Proms 63-65, Choral Day review - from Harris to Handel/Mozart via Alabama, with love
British and American beauties crowned by a cornucopial 'Messiah'
Prom 62, Mahler's Sixth Symphony, Bavarian RSO, Rattle review - sound over momentum
Near-perfect playing, but something missing in the overall drama
Prom 61, Bavarian Radio Symphony Orchestra, Rattle review - Bruckner without tears
A lithe, smooth journey around a craggy masterpiece
Add comment