sun 19/05/2024

Adam Sweeting

Adam Sweeting's picture
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Inside Man, BBC One review - strong cast trapped on a sinking ship

Read more...

The Capture, Series 2, BBC One review - caught up in the China syndrome

Read more...

Van der Valk, Series 2 Finale, ITV review - sleaze, corruption and skulduggery in Amsterdam

Read more...

Better Call Saul, Season 6 Finale, Netflix review - end of the line for TV's most celebrated con artist

Read more...

Shetland, Series 7, BBC One review - Douglas Henshall is back for the last time as Jimmy Perez

Read more...

Murder in Provence, ITV review - a little light sleuthing amid fabulous French scenery

Read more...

Where the Crawdads Sing review - picturesque film glosses over its darker themes

Read more...

The Gray Man, Netflix review - the Russo brothers explore big-bang theory

Read more...

Trom, BBC Four review - there's something fishy in the North Atlantic

Read more...

Freddie Flintoff's Field of Dreams, BBC One review - Lancashire all-rounder adds new strings to his bow

Read more...

Mick Jagger: My Life as a Rolling Stone review, BBC Two - the rock'n'roll enigma gives little away as the band reaches 60

Read more...

The Undeclared War, Channel 4 review - how would the UK cope with a devastating cyber-attack?

Read more...

Man vs Bee, Netflix review - or should it be Bee vs Bean?

Read more...

Elvis review - Austin Butler shines in patchy biopic

Read more...

Sherwood, BBC One review - a traumatic journey through a painful past

Read more...

We Own This City, Sky Atlantic review - 'The Wire' creator David Simon is back on the Baltimore beat

Read more...

Pages

latest in today

Rebus, BBC One review - revival of Ian Rankin's Scottis...

The previous incarnation of Ian Rankin’s Scottish detective on ITV starred, in their contrasting styles, John Hannah and Ken Stott. For this ...

Orchestre Révolutionnaire et Romantique, Sousa, St Martin-in...

Better (much better, indeed) late than never. The Orchestre Révolutionnaire et Romantique should have given their cycle of Beethoven symphonies at...

Music Reissues Weekly: Andwella - To Dream

Original pressings of Love And Poetry sell for up to £2,800. Copies of the August 1969 debut album by Andwellas Dream can sometimes also...

Bavouzet, Manchester Camerata, Takács-Nagy, Stoller Hall, Ma...

There’s a sense of cheerful abandon about Manchester Camerata’s ...

Album: Barry Adamson - Cut to Black

Always looking dapper and always sounding cool, Barry Adamson is a man who nevertheless seems to be perpetually of another time. Giving off the...

Carmen, Glyndebourne review - total musical fusion

It’s what you dream of in opera but don’t often get: singers feeling free and liberated to give their best after weeks of preparation with a...

The Great Escape Festival 2024, Brighton review - a dip into...

Before reviewing The Great Escape, we must first deal with the elephant in the room. Or, in this case, the room that’s crushing the elephant, like...

Fawlty Towers: The Play, Apollo Theatre review - lightning s...

There are many definitions of bravery, and taking on the challenge of embodying John Cleese as Basil Fawlty in Cleese’s own stage...

Laufey, Royal Albert Hall review - fans in heaven

In many ways, Laufey’s emotionally charged, sold-out...

Bermondsey Tales: Fall of the Roman Empire review - dirty de...

What with the likes of Sexy Beast, Layer Cake, The Hatton Garden Job and the oeuvre of Guy Ritchie, the...