sun 19/05/2024

Adam Sweeting

Adam Sweeting's picture
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Hijack, Apple TV+ review - trapped at 40,000 feet with a bunch of armed thugs

Read more...

Spiral of Lies, Channel 4 review - bodies, fibs and bad karma in Biarritz

Read more...

Turn of the Tide, Netflix review - cocaine madness comes to the Azores

Read more...

No Hard Feelings review - nothing about this queasy comedy feels quite right

Read more...

Best Interests, BBC One review - a family feels the unbearable strain of terminal illness

Read more...

Chevalier review - a less than extraordinary film about an extraordinary man

Read more...

Hypnotic review - a riotously enjoyable thriller

Read more...

Inland review - a cracked mosaic of memories, impressions and lurking anxiety

Read more...

Ten Pound Poms, BBC One review - a new life in the Great Southern Land

Read more...

A different angle on the Anne Frank story in 'A Small Light'

Read more...

Fatal Attraction, Paramount+ review - Adrian Lyne's bunny-boiler blockbuster expanded onwards and outwards

Read more...

Citadel, Prime Video review - did Amazon really pay $300m for this?

Read more...

The Diplomat, Netflix review - can London's new American ambassador prevent World War Three?

Read more...

Malpractice, ITV1 review - she got into a mess on the NHS

Read more...

How To Blow Up a Pipeline review - can eco-terrorism be justified?

Read more...

Why Didn't They Ask Evans?, ITV1 review - Agatha Christie gets a tense and twisty reworking by Hugh Laurie

Read more...

Pages

latest in today

Rebus, BBC One review - revival of Ian Rankin's Scottis...

The previous incarnation of Ian Rankin’s Scottish detective on ITV starred, in their contrasting styles, John Hannah and Ken Stott. For this ...

Orchestre Révolutionnaire et Romantique, Sousa, St Martin-in...

Better (much better, indeed) late than never. The Orchestre Révolutionnaire et Romantique should have given their cycle of Beethoven symphonies at...

Music Reissues Weekly: Andwella - To Dream

Original pressings of Love And Poetry sell for up to £2,800. Copies of the August 1969 debut album by Andwellas Dream can sometimes also...

Bavouzet, Manchester Camerata, Takács-Nagy, Stoller Hall, Ma...

There’s a sense of cheerful abandon about Manchester Camerata’s ...

Album: Barry Adamson - Cut to Black

Always looking dapper and always sounding cool, Barry Adamson is a man who nevertheless seems to be perpetually of another time. Giving off the...

Carmen, Glyndebourne review - total musical fusion

It’s what you dream of in opera but don’t often get: singers feeling free and liberated to give their best after weeks of preparation with a...

The Great Escape Festival 2024, Brighton review - a dip into...

Before reviewing The Great Escape, we must first deal with the elephant in the room. Or, in this case, the room that’s crushing the elephant, like...

Fawlty Towers: The Play, Apollo Theatre review - lightning s...

There are many definitions of bravery, and taking on the challenge of embodying John Cleese as Basil Fawlty in Cleese’s own stage...

Laufey, Royal Albert Hall review - fans in heaven

In many ways, Laufey’s emotionally charged, sold-out...

Bermondsey Tales: Fall of the Roman Empire review - dirty de...

What with the likes of Sexy Beast, Layer Cake, The Hatton Garden Job and the oeuvre of Guy Ritchie, the...