sun 19/05/2024

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

The Continental, Prime Video - welcome to the expanding John Wick universe

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Expend4bles review - last ride for the over-the-hill gang?

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Top Boy, Season 5, Netflix review - grime and punishment

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AngelHeaded Hipster: The Songs of Marc Bolan and T Rex review - musical doc falls between two stools

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Who Is Erin Carter?, Netflix review - secrets and ultra-violence under the Catalan sun

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The Following Events Are Based on a Pack of Lies, BBC One - deliciously bingeable drama from the Skinner sisters

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Harlan Coben's Shelter, Prime Video review - what the hell is going on in Kasselton, New Jersey?

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Only Murders in the Building, Disney+ review - this comedy crime drama is a class act

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Enemy of the People, Channel 4 review - murder and corruption in the age of digital media

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Wolf, BBC One review - a load of old...

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Special Ops: Lioness, Paramount+ review - high-octane female cast conducts war on terror

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Oppenheimer review - epic and enthralling study of 'the father of the atomic bomb'

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World on Fire, Series 2, BBC One - return of Peter Bowker's panoramic view of World War Two

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Disturbing Disappearances, More4 review - headstrong 'tec tackles Pied Piper mystery

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Bruce Springsteen and the E Street Band, BST Hyde Park review - Saturday in the park with Bruce

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Tom Clancy's Jack Ryan, Season 4, Prime Video review - final outing for John Krasinski's CIA hero

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Rebus, BBC One review - revival of Ian Rankin's Scottis...

The previous incarnation of Ian Rankin’s Scottish detective on ITV starred, in their contrasting styles, John Hannah and Ken Stott. For this ...

Orchestre Révolutionnaire et Romantique, Sousa, St Martin-in...

Better (much better, indeed) late than never. The Orchestre Révolutionnaire et Romantique should have given their cycle of Beethoven symphonies at...

Music Reissues Weekly: Andwella - To Dream

Original pressings of Love And Poetry sell for up to £2,800. Copies of the August 1969 debut album by Andwellas Dream can sometimes also...

Bavouzet, Manchester Camerata, Takács-Nagy, Stoller Hall, Ma...

There’s a sense of cheerful abandon about Manchester Camerata’s ...

Album: Barry Adamson - Cut to Black

Always looking dapper and always sounding cool, Barry Adamson is a man who nevertheless seems to be perpetually of another time. Giving off the...

Carmen, Glyndebourne review - total musical fusion

It’s what you dream of in opera but don’t often get: singers feeling free and liberated to give their best after weeks of preparation with a...

The Great Escape Festival 2024, Brighton review - a dip into...

Before reviewing The Great Escape, we must first deal with the elephant in the room. Or, in this case, the room that’s crushing the elephant, like...

Fawlty Towers: The Play, Apollo Theatre review - lightning s...

There are many definitions of bravery, and taking on the challenge of embodying John Cleese as Basil Fawlty in Cleese’s own stage...

Laufey, Royal Albert Hall review - fans in heaven

In many ways, Laufey’s emotionally charged, sold-out...

Bermondsey Tales: Fall of the Roman Empire review - dirty de...

What with the likes of Sexy Beast, Layer Cake, The Hatton Garden Job and the oeuvre of Guy Ritchie, the...