sun 19/05/2024

Adam Sweeting

Adam Sweeting's picture
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Pistol, Disney+ review - Punk history repeats itself as farce

Read more...

Prehistoric Planet, Apple TV+ review - David Attenborough presents life on earth, 66 million years ago

Read more...

Das Boot, Series 3, Sky Atlantic review - submarine warfare finds new horizons

Read more...

Top Gun: Maverick review - Tom Cruise defies age and gravity

Read more...

The Essex Serpent, Apple TV+ review - tradition and superstition versus the march of progress

Read more...

The Staircase, NOW review - addictive dramatisation of real-life murder investigation

Read more...

DI Ray, ITV review - Parminder Nagra battles killer gangs and cultural stereotypes

Read more...

Downton Abbey: A New Era review - will we ever see its like again?

Read more...

Life After Life, BBC Two review - déjà vu all over again

Read more...

Ennio review - sprawling biog of the maestro of movie music

Read more...

Anatomy of a Scandal, Netflix review - sex, sexism and the abuse of power

Read more...

Operation Mincemeat review - Colin Firth and co practise the fine art of deception

Read more...

Onoda: 10,000 Nights in the Jungle review - three decades of hell in the Pacific

Read more...

Hacks, Prime Video review - what's so funny about a career in comedy?

Read more...

Thatcher & Reagan: A Very Special Relationship, BBC Two review - when the Iron Lady met the Cowboy President

Read more...

Bridgerton, Season 2, Netflix review - power politics and love triangles as Regency fantasy returns

Read more...

Pages

latest in today

Rebus, BBC One review - revival of Ian Rankin's Scottis...

The previous incarnation of Ian Rankin’s Scottish detective on ITV starred, in their contrasting styles, John Hannah and Ken Stott. For this ...

Orchestre Révolutionnaire et Romantique, Sousa, St Martin-in...

Better (much better, indeed) late than never. The Orchestre Révolutionnaire et Romantique should have given their cycle of Beethoven symphonies at...

Music Reissues Weekly: Andwella - To Dream

Original pressings of Love And Poetry sell for up to £2,800. Copies of the August 1969 debut album by Andwellas Dream can sometimes also...

Bavouzet, Manchester Camerata, Takács-Nagy, Stoller Hall, Ma...

There’s a sense of cheerful abandon about Manchester Camerata’s ...

Album: Barry Adamson - Cut to Black

Always looking dapper and always sounding cool, Barry Adamson is a man who nevertheless seems to be perpetually of another time. Giving off the...

Carmen, Glyndebourne review - total musical fusion

It’s what you dream of in opera but don’t often get: singers feeling free and liberated to give their best after weeks of preparation with a...

The Great Escape Festival 2024, Brighton review - a dip into...

Before reviewing The Great Escape, we must first deal with the elephant in the room. Or, in this case, the room that’s crushing the elephant, like...

Fawlty Towers: The Play, Apollo Theatre review - lightning s...

There are many definitions of bravery, and taking on the challenge of embodying John Cleese as Basil Fawlty in Cleese’s own stage...

Laufey, Royal Albert Hall review - fans in heaven

In many ways, Laufey’s emotionally charged, sold-out...

Bermondsey Tales: Fall of the Roman Empire review - dirty de...

What with the likes of Sexy Beast, Layer Cake, The Hatton Garden Job and the oeuvre of Guy Ritchie, the...