Classical Features
theartsdesk Q&A: Conductor Robin TicciatiSaturday, 10 May 2014
Poised when I met him six weeks ago between 40th anniversary celebrations of the Scottish Chamber Orchestra, of which he has been a shaping chief conductor for the past five years and putting his new music directorship of Glyndebourne into action, Robin Ticciati hardly seemed like a man in positions of power, more an idealistic youth with a touch of the dreamer softening a powerful intellect. Read more...
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Unfinished business: completing MozartSaturday, 03 May 2014
Horn concertos don't make frequent appearances in the standard concert repertory and when they do it will usually be a work by Mozart or Richard Strauss. It wouldn't be entirely true to say that horn players feel keenly the lack of a serious core of works such as that available to pianists, string players and singers. Read more... |
RE:naissance: Festival under the influenceTuesday, 29 April 2014
Shakespeare's ubiquitous “planetary influence” is well-documented. As Stephen Marche points out in How Shakespeare Changed Everything, not much from our sex lives to the assassination of Lincoln remains untouched. And, of course, there's the language. You may think that what you are reading has more rhyme than reason, be madness (though there is method in it) or amount to nothing more than a wild goose chase. Read more... |
theartsdesk in Basel: More than MinimalismSunday, 20 April 2014
In a near-perfect, outward-looking Swiss city sharing borders with France and Germany, on a series of cloudless April days that felt more like balmy June than capricious April, anything seemed possible. Read more... |
theartsdesk in Reykjavík: Bright Nights, Dark Music DaysSunday, 23 February 2014
Nature declined to reveal the Northern Lights over a long winter weekend in Iceland. My hotel was geared up to the spectacle, offering the option of a phone call any time in the night should they appear; but no call came. I only hope the tourists who packed the outward-bound plane hadn’t booked just for that. Read more... |
theartsdesk in Oslo: Barocking Handel in the Opera HouseSunday, 09 February 2014
Oslo is a winter wonderland, and adults seem to be outnumbered by children, flocking from all over Norway to Disney on Ice. It’s the deep snow and the silence in pockets of the city rather than the kids which make me wonder if anyone has set Handel’s Alcina in the icy lair of C S Lewis’s White Witch, with hero Ruggiero as Edmund fed Turkish delight from the magic phial. There's even a captive lion. Francesco Negrin’s straightforwardly magical production - look, no metatext! Read more... |
theartsdesk in Brussels: Chapelle Musicale Reine Elisabeth at 75Sunday, 02 February 2014
There was deliberate symbolism in the way Maria João Pires chose to make her first entrance onto the stage at the birthday gala of the Chapelle Musicale Reine Elisabeth in Brussels earlier this week. The concert was a grand occasion. A well-heeled, well-dressed audience replete with supporters of the 75-year-old music academy, plus some Belgian royalty, had filled the Palais des Beaux-Arts to capacity. Read more... |
Abbado Memories of the Berlin Phil HornsWednesday, 22 January 2014
Claudio Abbado became the Principal Conductor of the Berlin Philharmonic in 1989 and continued his association with the world's most illustrious orchestra until very recently. Two members of the Berlin Phil's famous horn section share their memories of playing under the modest maestro. Read more... |
Addio, Claudio AbbadoMonday, 20 January 2014
“It is at the end that a composer can achieve his finest effects,“ declared Richard Strauss. He was thinking of his great operatic and symphonic epilogues, but apply that to the art of conducting, adjust the “at” to “towards”, and it applies supremely well to Claudio Abbado, who has died at the age of 80. Read more... |
Britten 100: Death in MoscowMonday, 16 December 2013
“A cold coming we had of it,” grumble the three kings in T S Eliot’s poem “The Journey of the Magi” later set by Britten as his Canticle IV. “Just the worst time of year for a journey,” they complain, carried onwards by the ungulate bass notes of the piano. Read more... |
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