Classical Features
Farewell, Stanisław Skrowaczewski (1923-2017)Friday, 24 February 2017
Bruckner conductors improve with age: Haitink, Blomstedt, Gielen – octogenarians all. But Stanisław Skrowaczewski went further, conducting his favourite composer almost to his death, this week at the age of 93. And more than any of his contemporaries, he seemed to embody the Brucknerian qualities of wisdom, experience and patience. A glorious Indian summer brought his work to a new generation, as,... Read more... |
Listed: How I Do Love TheeTuesday, 14 February 2017
Love is in the air. Today, men and women and boys and girls will be pondering how to say it with roses and cards and candlelit dinners: those three words that contain multitudes. As the old strip cartoon never quite got round to saying, love is... the human condition, which is why a good quantity of the culture we review on this site has to do with it. To help you get into the mood for romancing, we have asked our... Read more... |
Natalie Clein: 'The cello is part of my being'Friday, 06 January 2017
The cello is so deeply engrained in my fingers, my imagination, it’s part of my being – my life would feel amputated without it. You fall in love with the instrument, the music, and then you embark on the life-long task of trying to get closer to that beguiling musical ideal. That’s the drug, the contract you sign with the devil. Read more... |
theartsdesk in Budapest: Prophecy in the world's best concert hallSaturday, 10 December 2016
August 1914, September 2001, all of 2016: these are the dates Hungary's late, great writer Péter Esterházy served up for the non-linear narrative of his friend Péter Eötvös's Halleluja - Oratorium Balbulum. Read more... |
'We should take a 1:1 ratio of male to female talent as the norm'Sunday, 30 October 2016
This year is the sixth London Festival of American Music, and I could not be more excited about it. From the first festival in 2006 – 10 years ago now – I had a very specific idea about what I wanted the London Festival of American Music to be like. At its heart the festival is designed to celebrate the contemporary American musical landscape, and to bring the best America has to offer to UK audiences. Read more... |
First Person: Nico Muhly on music for two pianosTuesday, 04 October 2016
Writing for two pianos is something that – until last year – I had not attempted. I was contacted by Katya Apekisheva and Charles Owen, two pianists who have performed as a duo for many years, asking me to compose a duet for them to perform at the inaugural London Piano Festival. I met Charles back in 2014 when he performed my pieces A Hudson Cycle and Fast Stuff in New York. Read more... |
Interview: Sir Neville Marriner and the I, Culture OrchestraSunday, 02 October 2016
We’re in Gdańsk for the launch of the I, Culture Orchestra (sounds like an Apple product, someone points out). The new outfit has Sir Neville Marriner as guest conductor, at 87, still on sparkling form. The orchestra has brought together young musicians from across Eastern Europe “to encourage better cultural understanding” between Poland, Belarus, Ukraine, Moldova, Georgia, Armenia and Azerbaijan. Read more... |
First Person: Steven Isserlis on Schumann's advice to the youngSunday, 25 September 2016
All musicians have particular musical passions, composers, styles or genres to which they are irresistibly drawn. I have many – almost too many at times; but among the most enduring is my love for the music, writing and personality of Robert Schumann. Another important aspect of my musical life – another passion, in fact - is the work I get to do with young musicians. Read more... |
Lammermuir Festival 2016, East LothianSunday, 25 September 2016
It’s just a short trip down the A1 from Edinburgh. But East Lothian – with its big skies, wide-open spaces, empty beaches and seemingly inexhaustable supply of quaint, historic villages – feels like a long, long way from the Scottish capital. Read more... |
theartsdesk at the D-Marin Festival: Turkish poetry in music, Bach at sunriseTuesday, 06 September 2016
Istanbul six weeks before the failed coup, the south-west coast of Turkey six weeks after: what's the difference? None that I could see; once past the Turkish Airlines flights, with literature and screen full of the "People's Victory", there was no sign of it at the D-Marin Classical Music Festival on the Bodrum peninsula, centred around the marina in Turgutreis, a 45-minute drive along a very built-up coastline from once-quiet Bodrum. Read more... |
Pages
inside classical music
latest in today
Queyras, Philharmonia, Suzuki, RFH review - Romantic journey...
As he approaches his 70th birthday, Masaaki Suzuki has not just travelled into pastures new but proved himself thoroughly at home in them. The...
Two Strangers (Carry A Cake Across New York), Criterion Thea...
Small scale shows, nurtured in offbeat places, are becoming all the rage in the...
Expressionists: Kandinsky, Münter and the Blue Rider, Tate M...
In 1903, Wassily Kandinsky painted a figure in a blue cloak galloping across a landscape on a white horse. Several years later the name of the...
Orbital, O2 Institute, Birmingham review - the techno titans...
On Friday evening, dance veterans Orbital touched down in Birmingham to celebrate two of the most significant and acclaimed albums in...
Fern Brady, Netflix Special review - sex, relationships and...
An appearance on Taskmaster and the publication of her acclaimed memoir Strong Female Character have helped propel Fern Brady...
Album: The Lemon Twigs - A Dream Is All We Know
The Lemon Twigs aren’t shy about telegraphing their inspirations. A Dream is all we Know, their swift follow-up to last May’s ...
Götterdämmerung, LPO, Jurowski, RFH review - outside looking...
Four years embracing pandemic, genocide and rapid environmental degradation predicted by Wagner’s grand myth have passed before the Southbank Br...
Music Reissues Weekly: Warsaw - Middlesbrough 14th September...
Edinburgh’s Rezillos were booked to play Middlesbrough’s Rock Garden on Wednesday 14 September 1977. “I Can’t Stand my Baby,” their debut single,...
theartsdesk Q&A: Marco Bellocchio - the last maestro
The last of the old maestros is standing tall. Marco...
Testmatch, Orange Tree Theatre review - Raj rage, old and ne...
Cricket has always been a lens through which to examine the legacy of the British Empire. In the 1930s, the infamous Bodyline series saw the new...