mon 21/07/2025

Mark Sheerin

Articles By Mark Sheerin

Bradford City of Culture 2025 review - new magic conjured from past glories

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Echoes: Stone Circles, Community and Heritage, Stonehenge Visitor Centre review - young photographers explore ancient resonances

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Laura Aldridge / Andrew Sim, Jupiter Artland, Edinburgh review - lightness and joy

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Eye to Eye: Homage to Ernst Scheidegger, MASI Lugano review - era-defining artist portraits

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Jane Harris: Ellipse, Frac Nouvelle-Aquitaine MÉCA, Bordeaux review - ovals to the fore

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Carey Young: Appearance, Modern Art Oxford review - in the eyes of the law

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Earth Spells: Witches of the Anthropocene, RAMM, Exeter review - this local exhibition deserves a national audience

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In the Air, Wellcome Collection review - art in an emergency

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'Of course art doesn't change the world': Situationist artist Jacqueline de Jong on violence, eroticism and the importance of humour

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Karla Black, Fruitmarket, Edinburgh review - airy free-for-all

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Fetes and Kermesses in the Time of the Brueghels, Musée de Flandre review - all the fun of the fair

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10 Questions for Musician Soumik Datta

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diep~haven 2018 review - a missed connection?

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David Shrigley/Brett Goodroad, Brighton Festival review - showcases puncturing the medium's pretence

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Selma Parlour: Upright Animal, Pi Artworks review - incandescent colours

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theartsdesk in Antwerp: Richard Deacon says nothing

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As a sometime writer of Poirot, Sherlock and Christmas ghost stories,...

Album: Spafford Campbell - Tomorrow Held

Guitarist Louis Campbell and fiddle player Owen Spafford started playing together as teenagers in the National Youth Folk Ensemble when Sam...

The Estate, National Theatre review - hugely entertaining, b...

The first rule for brown people, says the main character – played by BAFTA-winner Adeel Akhtar – in this highly entertaining dramedy, is not to...

Music Reissues Weekly: Mike Taylor - Pendulum, Trio

Wheels of Fire was Cream’s third album. Issued in the US in June 1968 and in the UK two months later, it was a double LP. One record was...

The Ballad of Suzanne Césaire review - a mysterious silence

A glamorous black woman sits in a Forties bar under a Vichy cop’s gaze, cigarette tilted at an angle, till two male companions join her in...

Youssou N'Dour and Super Étoile de Dakar, Roundhouse re...

There is a freshness about a show by Youssou N’Dour that never seems to lose its glow. He still has one of the great voices of Africa, a versatile...

BBC Proms: First Night, Batiashvili, BBCSO, Oramo review - g...

The auditorium and arena were packed – and the stage even more so, bursting at the seams with players and singers: the perfect set-up for a First...

Album: Bonnie Dobson & The Hanging Stars - Dreams

What a great album – and what a great story to lift the heart in these fetid times. A story that crosses oceans and decades and brings together a...

Harvest review - blood, barley and adaptation

Lovers of a particular novel, when it’s adapted as a movie, often want book and movie to fit together as a hand in a glove. You want it to be like...