mon 04/12/2023

Laura de Lisle

Articles By Laura De Lisle

Conundrum, Young Vic review - inscrutable and ungraspable

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The Wife of Willesden, Kiln Theatre review - a saucy ode to Brent

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The Ocean at the End of the Lane, Duke of York's Theatre review - pure theatrical magic

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Pride & Prejudice* (*sort of), Criterion Theatre review - bursting with wit, verve, and love

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Grenfell: Value Engineering, The Tabernacle review - bruising, necessary theatre

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Rice, Orange Tree Theatre review - whip-smart, but unsure where it stands

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How to Survive an Apocalypse, Finborough Theatre review - millenarian millennials

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The Lodger, Coronet Theatre review - underdeveloped family drama

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Paradise, National Theatre review - war, woe, and a glimmer of hope

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Twelfth Night, Shakespeare's Globe review - foot-stompingly good fun

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ANNA X, Harold Pinter Theatre review - lacking in substance

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Last Easter, Orange Tree Theatre review - over-performative and strangely off-putting

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The Invisible Hand, Kiln Theatre review - balanced on a knife edge

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Constellations, Vaudeville Theatre review - a starry revival

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Being Mr Wickham, Original Theatre Company online review - an uncontroversial apologia

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Living Newspaper, Edition 3, Royal Court online review – bleak news, sharp words

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Infinite Life, National Theatre review - beguiling new comed...

A sun deck with seven pale-green padded loungers is the latest setting for the latest...

£1 Thursdays, Finborough Theatre review - dazzling new play...

It’s 2012 and the London Olympics might as well be happening on the Moon for Jen and Stacey. In fact, you could say the same for...

First Person: Natalia Franklin Pierce, Executive Director of...

Despite my double-barrelled surname (my parents weren't married when I was born – so I was given both their names), a career within contemporary...

Music Reissues Weekly: Myriam Gendron - Not So Deep As A Wel...

Myriam Gendron's debut album Not So Deep As A Well was originally released in 2014 by Feeding Tube, a US label run by...

Powell and Pressburger: In Prospero's Room

There’s a thread of bright magic running through British...

Eileen review - a dank fairytale film noir

As the title character in Eileen, set in a miserable Massachusetts backwater in the days before Christmas 1964, Thomasin McKenzie plays a...

A Sherlock Carol, Marylebone Theatre review - merry, but mir...

It’s an elementary fact that Dickens sells at this time of year — look at all the perennial Christmas Carols sprouting up everywhere. But...

Fallen Leaves review - deliciously dry Finnish romcom

Fallen Leaves is Aki Kaurismäki’s 20th film, the one the...

Album: Shirley Hurt - Shirley Hurt

The realisation that Shirley Hurt is the name assumed by Canada’...

Macbeth, The Depot, Liverpool review - Ralph Fiennes leads a...

Next door to the beautiful Art Deco Littlewoods Pools Building, nearly 30 years standing derelict, a set of grey sheds stand, a seat of...