thu 18/04/2024

Laura de Lisle

Articles By Laura De Lisle

Wuthering Heights, National Theatre review - too much heat, not enough light

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Conundrum, Young Vic review - inscrutable and ungraspable

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The Wife of Willesden, Kiln Theatre review - a saucy ode to Brent

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The Ocean at the End of the Lane, Duke of York's Theatre review - pure theatrical magic

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Pride & Prejudice* (*sort of), Criterion Theatre review - bursting with wit, verve, and love

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Grenfell: Value Engineering, The Tabernacle review - bruising, necessary theatre

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Rice, Orange Tree Theatre review - whip-smart, but unsure where it stands

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How to Survive an Apocalypse, Finborough Theatre review - millenarian millennials

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The Lodger, Coronet Theatre review - underdeveloped family drama

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Paradise, National Theatre review - war, woe, and a glimmer of hope

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Twelfth Night, Shakespeare's Globe review - foot-stompingly good fun

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ANNA X, Harold Pinter Theatre review - lacking in substance

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Last Easter, Orange Tree Theatre review - over-performative and strangely off-putting

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The Invisible Hand, Kiln Theatre review - balanced on a knife edge

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Constellations, Vaudeville Theatre review - a starry revival

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Being Mr Wickham, Original Theatre Company online review - an uncontroversial apologia

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The Book of Clarence review - larky jaunt through biblical e...

The Book of Clarence comes lumbered with the charge of being the new Life of Brian, an irreverent spoof of the life...

Lisa Kaltenegger: Alien Earths review - a whole new world

Our home planet orbits the medium-size star we call the Sun. There are unfathomably many more stars out there. We accepted that these are also...

Bell, Perahia, ASMF Chamber Ensemble, Wigmore Hall review -...

All three works in the second of this week’s Neville Marriner centenary concerts from the ensemble he founded vindicated their intention to reign...

An Actor Convalescing in Devon, Hampstead Theatre review - o...

One can often be made to feel old in the theatre. A hot take in a snappy 90 minutes (with video!) on the latest Gen Z obsession (...

First Persons: composers Colin Alexander and Héloïse Werner...

For tonight’s performance at Milton Court, the nuanced and delicate tones of strings, voices, harmonium and chamber organ will merge...

Album: Paraorchestra with Brett Anderson and Charles Hazlewo...

Death Songbook is, says Charles Hazlewood, founder, artistic director and conductor of Paraorchestra, an album of “music which is about...

Anthracite, Netflix review - murderous mysteries in the Fren...

Ludicrous plotting and a tangled skein of coincidences hold no terrors for the makers of this frequently baffling...

The Comeuppance, Almeida Theatre review - remembering high-s...

I’ve never been one for school reunions, but even if I had kept in touch with former classmates I think that American...