mon 16/09/2024

Laura de Lisle

Articles By Laura De Lisle

Wuthering Heights, National Theatre review - too much heat, not enough light

Read more...

Conundrum, Young Vic review - inscrutable and ungraspable

Read more...

The Wife of Willesden, Kiln Theatre review - a saucy ode to Brent

Read more...

The Ocean at the End of the Lane, Duke of York's Theatre review - pure theatrical magic

Read more...

Pride & Prejudice* (*sort of), Criterion Theatre review - bursting with wit, verve, and love

Read more...

Grenfell: Value Engineering, The Tabernacle review - bruising, necessary theatre

Read more...

Rice, Orange Tree Theatre review - whip-smart, but unsure where it stands

Read more...

How to Survive an Apocalypse, Finborough Theatre review - millenarian millennials

Read more...

The Lodger, Coronet Theatre review - underdeveloped family drama

Read more...

Paradise, National Theatre review - war, woe, and a glimmer of hope

Read more...

Twelfth Night, Shakespeare's Globe review - foot-stompingly good fun

Read more...

ANNA X, Harold Pinter Theatre review - lacking in substance

Read more...

Last Easter, Orange Tree Theatre review - over-performative and strangely off-putting

Read more...

The Invisible Hand, Kiln Theatre review - balanced on a knife edge

Read more...

Constellations, Vaudeville Theatre review - a starry revival

Read more...

Being Mr Wickham, Original Theatre Company online review - an uncontroversial apologia

Read more...

Pages

latest in today

Wang, Lapwood, LSO, Pappano, Barbican review - grace and pow...

It takes stiff competition to outshine Yuja Wang, who last night at the Barbican complemented her spangled silver sheath with a disconcerting pair...

My Favourite Cake review - woman, love, and freedom

The taxi cab has become a recurring motif in modern Iranian cinema, perhaps because it approximates to a kind of dissident bubble within the...

Beethoven Sonata Cycle 1, Boris Giltburg, Wigmore Hall revie...

A happy, lucid and bright pianist, a forbidding Everest among piano sonatas: would Boris Giltburg follow a bewitching, ceaselessly engaging first...

The Band Back Together, Arcola Theatre review - three is a d...

We meet Joe first at the keys, singing a pretty good song, but we can hear the pain in the voice – but is that...

Music Reissues Weekly: Sean Buckley & The Breadcrumbs

Although Dagenham’s Sean Buckley & The Breadcrumbs are less than a footnote in the story of beat boom-era Britain, appearances on archive...

The Critic review - beware the acid-tipped pen

The setting is the lively 1930s London theatre world, but any sense that The Critic will be a lighthearted thriller should soon be...

Van Gogh: Poets & Lovers, National Gallery review - pass...

Van Gogh: Poets & Lovers includes many of his best known pictures and, amazingly, it is the first exhibition the...

Kim's Convenience, Riverside Studios review - KC and th...

One wonders what sitcom writers will do when supermarkets finally sweep the last corner shops away with nobody left old enough to buy...