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Katie Colombus

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Articles By Katie Colombus

The Car Man, Royal Albert Hall review - grand scale drama and decadence

Monday, 13 June 2022 Read more...

The Great Estate, Redruth review - Cornwall's finest festival extravaganza

Saturday, 11 June 2022 Read more...

ABBA Voyage, Abba Arena, London review - technical mastery and musical joy

Wednesday, 01 June 2022 Read more...

Sacre, Circa Contemporary Circus, Brighton Festival review - an astonishing assortment of lifts and throws, daring and strength

Monday, 30 May 2022 Read more...

The Patient Gloria, Brighton Festival review - an electric exploration of the control and manipulation of women

Saturday, 14 May 2022 Read more...

Unchain Me, Brighton Festival review - Dostoevsky-inspired theatre through the streets of Brighton

Thursday, 12 May 2022 Read more...

Album: Aldous Harding - Warm Chris

Monday, 21 March 2022 Read more...

Album: Jenny Hval - Classic Objects

Thursday, 10 March 2022 Read more...

NDT2, Sadler's Wells review - a diverse triple bill

Friday, 18 February 2022 Read more...

Albums of the Year 2021: Dry Cleaning - New Long Leg

Sunday, 19 December 2021 Read more...

Album: Adele - 30

Saturday, 20 November 2021 Read more...

Laura Marling, Roundhouse review - simple and compelling

Thursday, 21 October 2021 Read more...

Patti Smith, Royal Albert Hall review - a wild ride from a musical legend

Wednesday, 06 October 2021 Read more...

Ben Howard, Royal Festival Hall review - authentic and reassuring

Tuesday, 21 September 2021 Read more...

Album: Sufjan Stevens & Angelo De Augustine - A Beginner's Mind

Saturday, 18 September 2021 Read more...

Rag‘n’Bone Man, Jazz Café review – powerful first post-lockdown gig

Thursday, 01 July 2021 Read more...

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Anja Mittermüller, Richard Fu, Wigmore Hall review - a glori...

Helping to build the careers of superb young singers is what Wigmore Hall has done for decades: I still remember Olaf Bär’s debut in the hall...

Music Reissues Weekly: Evie Sands - I Can’t Let Go

Over 1965 to 1968 Brooklyn's Evie Sands issued a string of singles with classic top sides. Amongst them were “Take Me For a Little While,” “I Can'...

First Person: clarinettist Oliver Pashley on the new horizon...

“Why the name?” and “Why the instruments?” are the two most common things we get asked about our group. As a member of The Hermes...

London Film Festival 2025 - a Korean masterclass in black co...

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Gesualdo Passione, Les Arts Florissants, Amala Dior Company,...

This powerful, austere collaboration between Les Arts...

Classical CDs: Camels, concrete and cabaret

 

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'Deadbeat': Tame Impala's downbeat rave-inspi...

Anxiety and self-doubt have been constant themes for Kevin Parker, the Australian musician who now finds himself among the highest echelons of...

After the Hunt review - muddled #MeToo provocation

The last few years have seen the much-needed positivity of the #MeToo movement...

Cockerham, Manchester Camerata, Sheen, Martin Harris Centre,...

Manchester Camerata have had a ten-year association with composer-conductor Jack Sheen. For this short programme, one of the free Walter...