tue 21/10/2025

Gary Naylor

Articles By Gary Naylor

Cassie and the Lights, Southwark Playhouse review - powerful, affecting, beautifully acted tale of three sisters in care

Read more...

The Divine Mrs S, Hampstead Theatre review - Rachael Stirling shines in hit-and-miss comedy

Read more...

Foam, Finborough Theatre review - fascism and f*cking in a Gentlemen's Lavatory that proves short of gentlemen

Read more...

Cruel Intentions, The Other Palace review - uneasy vibes, hit tunes and sparkling staging

Read more...

Nachtland, Young Vic review - German black comedy brings uneasy humour and discomfiting relevance

Read more...

The Big Life, Stratford East review - musical brings the joy and honours the past

Read more...

Samuel Takes a Break... in Male Dungeon No. 5 after a long but generally successful day of tours, The Yard Theatre review - funny and thought-provoking

Read more...

Just For One Day, The Old Vic review - clunky scenes and self-conscious exposition between great songs

Read more...

Othello, Sam Wanamaker Playhouse review - 21st century interpretation delivers food for thought

Read more...

Bronco Billy, Charing Cross Theatre - schmaltzy musical brings the feelgood factor just when it's needed

Read more...

The Most Precious of Goods, Marylebone Theatre review - old-fashioned storytelling of an all-too relevant tale

Read more...

Kin, National Theatre review - heartfelt show makes its demands, but yields its rewards

Read more...

The Good John Proctor, Jermyn Street Theatre review - Salem-set drama loses some of its power in London

Read more...

1979, Finborough Theatre review - niche subject matter finds a strong resonance

Read more...

A Woman Walks into a Bank, Theatre 503 review - prize-winning play delivers on its promise

Read more...

Pandemonium, Soho Theatre review - satire needs a shot of Pfizer's finest to revive tired storylines

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Gilbert & George, 21st Century Pictures, Hayward Gallery...

There was a time when Gilbert & George made provocative pictures that probed the body politic for sore points that others preferred to ignore...

The Perfect Neighbor, Netflix review - Florida found-footage...

Another day, another shooting: this is Florida, USA, where the "Stand Your...

Bryony Kimmings, Soho Theatre Walthamstow review - captivati...

Bryony Kimmings’ new show – her first in five years – was created to celebrate the opening of Soho Walthamstow, the previously...

Blu-ray: Le Quai des Brumes

From its opening scene, Le Quai des Brumes (Port of Shadows,1938) feels like a reverie, a period of sustained waiting, during...

La bohème, Opera North review - still young at 32

Phyllida Lloyd’s production of La Bohème for Opera North is...

Shibe, LSO, Adès, Barbican review - gaudy and glorious new m...

Many orchestral concerts leaven two or three established classics with something new or unusual. The LSO reversed that formula...

Frankenstein review - the Prometheus of the charnel house

Guillermo del Toro strains every sinew to bring his dream film to life, steeping it in religious symbolism and the history of art, cannily...

Solar Eyes, Hare & Hounds, Birmingham review - local lad...

Their new album may have been born out of a deep dive into Quentin Tarantino’s cinematic reimagining of the post-Manson killings’ atmosphere of...