tue 21/10/2025

Gary Naylor

Articles By Gary Naylor

Why Am I So Single?, Garrick Theatre review - superb songs in Zeitgeist surfing show

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The Silver Cord, Finborough Theatre review - Sophie Ward is compellingly repellent

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Art, Theatre Royal Bath review - Yasmina Reza's smash hit back on tour 30 years after Paris premiere

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Shifters, Duke of York's Theatre review - star-crossed lovers shine in intelligent rom-com

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The Fabulist, Charing Cross Theatre review - fine singing cannot rescue an incoherent production

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The Birthday Party, Ustinov Studio, Theatre Royal Bath review - Pinter still packs a punch

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Fiddler on the Roof, Regent's Park Open Air Theatre review - dazzling gem of a production marks its diamond anniversary

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Frankie Goes To Bollywood, Southbank Centre review - lots of lights, but a dull show

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Next to Normal, Wyndham's Theatre review - rock musical on the trauma of mental illness

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Miss Julie, Park Theatre review - Strindberg's kitchen drama still packs a punch

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Marie Curie, Charing Cross Theatre review - like polonium, best left undiscovered

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Multiple Casualty Incident, The Yard Theatre review - NGO medics in training have problems of their own

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Spirited Away, London Coliseum review - spectacular re-imagining of beloved film

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Testmatch, Orange Tree Theatre review - Raj rage, old and new, flares in cricket dramedy

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An Actor Convalescing in Devon, Hampstead Theatre review - old school actor tells old school stories

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Spencer Jones: Making Friends, Soho Theatre review - award-winning comedian mines his post-lockdown escape to the country

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Another day, another shooting: this is Florida, USA, where the "Stand Your...

Bryony Kimmings, Soho Theatre Walthamstow review - captivati...

Bryony Kimmings’ new show – her first in five years – was created to celebrate the opening of Soho Walthamstow, the previously...

Blu-ray: Le Quai des Brumes

From its opening scene, Le Quai des Brumes (Port of Shadows,1938) feels like a reverie, a period of sustained waiting, during...

La bohème, Opera North review - still young at 32

Phyllida Lloyd’s production of La Bohème for Opera North is...

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Many orchestral concerts leaven two or three established classics with something new or unusual. The LSO reversed that formula...

Frankenstein review - the Prometheus of the charnel house

Guillermo del Toro strains every sinew to bring his dream film to life, steeping it in religious symbolism and the history of art, cannily...

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Their new album may have been born out of a deep dive into Quentin Tarantino’s cinematic reimagining of the post-Manson killings’ atmosphere of...