Gary Naylor
Bio

I turned down The Beatles. Well, not exactly, but on seeing Blood Brothers in 1982, I said it would never sell outside Liverpool - too sentimental, thought I.

Obviously, I grew up to be a theatre reviewer, writing here and for BroadwayWorld since 2009. I also write a weekly cricket column for The Guardian and I podcast about old football at Nessun Dorma. 

I'm a member of the Critics' Circle and the Cricket Media Club and I serve on the committee of the Society for Theatre Research in my capacity as Joint Administrator for the Theatre Book of the Year Award. I have a particular interest in initiatives that address Impostor Syndrome's deleterious effect on young people accessing culture. 

If I'm not watching or writing about a play, an opera, a movie, the cricket or the football, I'm probably asleep - but do check my pulse, just to be sure...

articles by Gary Naylor

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We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
I first became aware of the playwright Teresa Deevy, the Irish author of the Jermyn Street's imminent A Wife to James Whelan, while leafing…
How much more can Jeremy Clarkson’s body take? The fifth season of his reality show about his Oxfordshire spread, Diddly Squat Farm and…
Bloomsday doesn't just celebrate James Joyce's odyssey through so many parts of Dublin that still teem with character; it's also putatively…
“I guess you could call it a lost album. I stumbled upon it in my vault at home. I’d forgotten about it completely,” explained Rodney…
Between June 1964 and September 1966, London-area R&B band Downliners Sect issued ten singles, one EP and three albums on EMI’s…
The conundrum of five women, three of them men, is the same as it was in the last Serse I witnessed, in the more intimate surroundings of…
O Glengarry, where is thy sting? That's likely to be one response to the bewildering Old Vic revival of David Mamet's defining (and…
Bach: The Complete Keyboard Concertos Mahan Esfahani (harpsichord/director), Britten Sinfonia, leader Jacqueline Shave (Hyperion…
Beginning with “The Ground Above” and closing with “Otherside”, there’s an ambient, otherwordly, disembodied feel to Beth Orton’s new album…