Sarah Kent
Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.
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We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
How much more can Jeremy Clarkson’s body take? The fifth season of his reality show about his Oxfordshire spread, Diddly Squat Farm and…
Bloomsday doesn't just celebrate James Joyce's odyssey through so many parts of Dublin that still teem with character; it's also putatively…
“I guess you could call it a lost album. I stumbled upon it in my vault at home. I’d forgotten about it completely,” explained Rodney…
Between June 1964 and September 1966, London-area R&B band Downliners Sect issued ten singles, one EP and three albums on EMI’s…
The conundrum of five women, three of them men, is the same as it was in the last Serse I witnessed, in the more intimate surroundings of…
O Glengarry, where is thy sting? That's likely to be one response to the bewildering Old Vic revival of David Mamet's defining (and…
Bach: The Complete Keyboard Concertos Mahan Esfahani (harpsichord/director), Britten Sinfonia, leader Jacqueline Shave (Hyperion…
Beginning with “The Ground Above” and closing with “Otherside”, there’s an ambient, otherwordly, disembodied feel to Beth Orton’s new album…
William Kentridge’s production of Monteverdi’s L’Orfeo marks a double début at Glyndebourne – neither the director nor the opera,…