thu 14/08/2025

tv

Synth Britannia, BBC Four

Adam Sweeting

Would-be axe murderers of the BBC often propose to lop off (among other things) TV channels Three and Four, but Four’s music coverage is vastly better value for viewers’ money than the executive pension fund. Synth Britannia stuck firmly to Four’s “Britannia” formula, being a bunch of talking heads and clumps of archive footage interwoven with synth-pop classics from the late Seventies and early Eighties.

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Hung, More4

Gerard Gilbert

Hung is about a teacher with an enormous penis who becomes a gigolo, which might sound like prime Judd Apatow real estate, but is a surprisingly tender foray into the male and female sexual psyches.  Part two of HBO’s current male midlife crisis fixation is a completely different kettle of fish-out-of-water to Eastbound & Down – quirkier and less boisterous – and its pedigree (written by the creators of The Riches and shot by the director of Sideways...

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Prescott: The North/South Divide, BBC2

Gerard Gilbert

Is John Prescott’s post-political TV career a form of atonement, a retirement gift to his lovely wife Pauline and a chance for her to share centre-stage in place of the diary secretary? Whatever the reason, Pauline Prescott has taken to the limelight like an MP to expenses, benignly batting her mascara-crusted eyelashes as the couple take another of their Jag-chauffeured tours, a faintly ludicrous Old Labour twist on King George VI and Queen Elizabeth visiting East End Blitz victims.

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Fringe, Sky 1

Adam Sweeting

In Superman's DC Comics universe, Bizarro World is a cube-shaped planet where everything on earth is echoed in back-to-front form. A smidgen of Bizarro thinking has surely infiltrated the bewildering environment of Fringe, where a special team of FBI agents struggle with incredible paranormal phenomena, impossible inversions of the natural order, and above all the concept of parallel universes, currently the hot topic at the start of series two.

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Life on Mars, FX

Gerard Gilbert

The American remake of Life on Mars was judged a flop by its jumpy network, ABC, and scratched after just one season – which gave the UK premiere less the anticipation of a launch party and more the slightly shameful miasma of a hangover.

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Micro Men, BBC Four

Adam Sweeting

You won’t read this in Steve Jobs’ autobiography, but in the early Eighties Britain led the world in personal computing. Acorn made the BBC Micro, which sold 1.5 million units. Sinclair Research shifted shed-loads of its ZX81, despite its rickety construction and coal-fired levels of performance. A generation of apprentice nerds produced their first bloops and squiggles on these devices. Today, no doubt they’re all writing apps for that iPhone you're reading this on.

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When Boris Met Dave, More4

Jasper Rees

This review cannot start without a confession. More of a disclaimer, in fact. What you are about to read will not by any reasonable definition pass as a balanced critical response. I began my time at Oxford University in exactly the same week as Boris Johnson and indeed Toby Young, one of the makers of When Boris Met Dave. As a student, I knew or met half the talking heads who took part. As a journalist I know or have met most of the others. They all, to a man (and woman), sound...

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Stargate Universe, Sky 1

Adam Sweeting

Considering that Stargate began as a colossally silly Roland Emmerich movie about ancient Egyptians with magic wands and spaceships, it's proving astonishingly resilient. The Stargate SG-1 TV series created a booming fanbase so eager for more that it spun off Stargate Atlantis. There have been straight-to-DVD movies, computer games, books and animated series.

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Hagai Levy, creator of HBO's In Treatment

Gerard Gilbert

Woody Allen has done a disservice to psychoanalysis, reckons Hagai Levy, the 45-year-old creator of HBO’s In Treatment, which starts tonight on Sky Arts 1. Levy had directed 270 episodes of a popular Israeli soap opera before he hit on the idea of a five-nights-per-week drama about therapy - the resulting show, Betipul , becoming an instant hit in his homeland. Retitled In Treatment, the drama was remade in America within a year of first screening in Israel.

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Emma, BBC One

Jasper Rees

There’ll always be Austen on the telly. As the Bard is to the boards, so is Saint Jane to the box. The six novels were published (though not all written) in a seven-year period in the 1810s. In a rather shorter tranche of the 1990s they were all adapted for the (mostly small) screen. They’ve now just been done again, on the whole rather less well than the first time round.

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