tv
Time Shift, BBC FourWednesday, 29 June 2011
You might say that the grand hotels brought this on themselves. Time Shift: Hotel DeLuxe on BBC Four last night saw beneath the shine of their marble atria and heard the uncomfortable murmurs under the joyful gossip of their chic bars. What started out as an apparent paean to the luxury hotel - the Savoy, the Ritz, the Dorchester - with an emphasis on the glamour, energy, buzz and innovation they... Read more... |
Fake or Fortune?, Episodes 1 & 2, BBC OneTuesday, 28 June 2011
Fake or Fortune? on BBC One, with Fiona Bruce and art dealer and sleuth Philip Mould, ought to have been called CSI: Cork Street for its blend of fine art and forensic science. They were trying to resolve whether a Monet was in fact a Monet, using a 240 million-pixel camera, Monet's own accountbook (which Fiona Bruce ran her ungloved fingers across) and plenty of ominous music. Next up: who killed Marat in David's picture? Read more... |
Mildred Pierce, Sky AtlanticSunday, 26 June 2011
James M. Cain's novel Mildred Pierce is best remembered for Michael Curtiz's entertainingly lurid 1945 movie version, starring Joan Crawford. Featuring William Faulkner among its screenwriters, it played fast and loose with Cain's book, but bashed it into crowd-pleasing shape successfully enough to win Crawford an Oscar. Read more... |
Shameless US, More4Thursday, 23 June 2011
The Americans have form when it comes to creating superior remakes of British TV shows. Life on Mars with Michael Imperioli? You gotta love it. The Office without Ricky Gervais? We are eternally in their debt.
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The Wonder of Weeds, BBC Four/ Afghanistan: War without End?, BBC TwoWednesday, 22 June 2011
Continuing BBC Four's trend of creating surprisingly watchable programmes out of dowdy and unpromising ideas, this survey of the plants gardeners love to hate was a mine of information and offered plenty of food for thought. And for that matter, plenty of food, since it appears that wheat has only survived to become one of our top crops because, several thousand years ago, it was genetically beefed up by getting spliced to a weed. Read more... |
Secret War, YesterdayMonday, 20 June 2011
The dramatic music, blue-tinged reconstructions and menacing voiceover all suggested that we should be sceptical of World War Two heroine Vera Atkins. The title of the programme indeed, Secret War: The Spymistress and the French Fiasco, told us how we should feel. We know that she was a brave member of the Special Operations Executive, the British department responsible for secret agents in... Read more... |
The Shadow Line, Series Finale, BBC TwoFriday, 17 June 2011
I see there are still a few brave souls trying to peddle the "searing televisual masterpiece" line, often in high-profile BBC publications, but I suspect rather more of us may have been veering towards an ever-healthier scepticism as Hugo Blick's wilfully obtuse noirathon ran around in increasingly demented circles. Read more... |
The Choir That Rocks, ITV1Thursday, 16 June 2011
Created in 2005 by its director Caroline Redman Lusher, the Rock Choir has become something of a populist phenomenon. It’s a “people’s choir”, which means the songbook leans more towards Robbie Williams than Vaughan Williams. Anyone is welcome to join. There are no auditions and no talent requirements, a fact which will scarcely surprise viewers who last night witnessed the Bristol Rock Choir inflicting a very vocal form of GBH on ABBA's “Waterloo”. Read more... |
Luther, Series 2, BBC OneWednesday, 15 June 2011
A year ago when Luther battered down the door like a wailing banshee in bovver boots on day release, it was all a bit underwhelming. People shrugged and wondered whether Idris Elba was condemned to roam in eternal script limbo. They weren’t at all sure about Ruth Wilson’s parricidal astrosphysicist, all beestung, flame-maned and frog-boxed. Read more... |
Camelot, Channel 4Saturday, 11 June 2011
With The Tudors recently departed from BBC Two, the kindly Channel 4 has stepped in to fill the gap with this new cod-mythological romp through a Middle Ages that never existed. Funnily enough, it comes from the same Irish-Canadian production consortium that cooked up The Tudors, and shares similar attitudes to casting, production values and dialogue. Read more... |
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