TV
Adam Sweeting
Ben Vanstone, the showrunner for Channel 5’s hit revival of All Creatures Great and Small, originally foresaw it as stretching over four seasons, but has subsequently revised his opinion. With the third series ending and the fourth already in preparation, he now foresees broader horizons. “Everything in this show plays out slower than you think it would,” he commented.Fortuitously, All Creatures… has proved to be the ideal tonic – or maybe that should be “sedative” – for a world where the wheels are apparently coming off. Amid economic turmoil, political madness and a European war which might Read more ...
Adam Sweeting
Netflix can’t get enough of Ryan Murphy, whose list of productions with the super-streamer includes Halston, Ratched and recent hit Monster: The Jeffrey Dahmer Story. Now here he is again with The Watcher, a teasing little mystery based on a true story about a couple moving into their dream home in New Jersey only to be confronted with anonymous threats and hair-raising goings-on.Murphy’s seven-episode version is a mix of haunted-house chiller, Polanski-style horror and domestic drama, as well as (strangely) a kind of essay on obsessive, nimby-ish property ownership. Dean and Nora Brannock ( Read more ...
Helen Hawkins
Can you make modern poetry come to life on a TV screen? The BBC has had two stabs recently at answering this question, as part of the centennary celebrations for TS Eliot’s The Waste Land, seen by many as the greatest poem of the 20th century. One programme works significantly better than the other. For her 80-minute documentary TS Eliot: Into The Waste Land (BBC Two, ★★★★), director Susanna White was significantly aided by the “buried treasure” element in the story of this famously elusive poem, long laboured over by critics and students. Sitting like a ticking time bomb in Princeton’s Read more ...
Adam Sweeting
Although plaudits have been rolling in for Lauren Lyle’s smart and sparky portrayal of the titular detective in Karen Pirie (ITV), getting to the end of the third and final episode felt like a long slog. The traditional ITV two-hour slot is of course the home of such indestructible classics as Inspector Morse, Poirot, Marple et al, but despite some persuasive performances, Karen Pirie felt over-stretched in its three-week span. It also seemed uncannily like a caledonian makeover of ITV’s cold-case stalwart Unforgotten, as it roved over events from 26 years earlier after Detective Sergeant Read more ...
Adam Sweeting
Screenwriter and showrunner Steven Moffat is renowned for some of his work, especially Sherlock, but other stuff not so much (I direct you towards Dracula or The Time Traveler’s Wife). When the history is written, Inside Man is liable to languish at the dog’s-breakfast end of the Moffat canon.There used to be a TV cooking show where contestants had to somehow create a meal from a random batch of ingredients they found in the fridge – a pineapple, a pork chop, a crumpet and a jar of mayonnaise, perhaps. Inside Man (BBC One) looked as if it was similarly devised as a kind of brain-teaser. How Read more ...
Helen Hawkins
From underneath the messy ash-white thatch of hair, a strange mooing suddenly issues: Sir Kenneth Branagh is wrestling with Boris Johnson’s odd way of saying the “oo” sound. It’s a brave attempt but ultimately a bit wayward, rather like the drama series Branagh is starring in, This England, Michael Winterbottom’s six-part reconstruction of Boris’s early days as PM, Covid, lockdown and all. Branagh has certainly captured the former PM’s stance, arms held unnaturally behind him, shoulders hunched, trousers at risk of dropping as he shuffles in and out of a quick succession of government Read more ...
Veronica Lee
In case you're not au fait with Mumsnet, the title of Daisy May Cooper's follow-up creation to the stupendous This Country is a nod to the parenting website's readers' questions corner, where the responses boil down to “Yes, you are” and “No, you're not” in equally judgmental proportions. (Although, it has to be said, sometimes the replies are far from that and can be funny or helpful.)Cooper plays Nic, a mother who moved into a gorgeous Cotswold village five years ago and has yet to make friends with any of the other mums at the school where her much more mature nine-year-old son, Ollie ( Read more ...
Jasper Rees
Hilary Mantel, who has died at the age of 70, was a maker of literary history. Wolf Hall, an action-packed 650-page brick of a book about the rise and rise of Thomas Cromwell, won the Man Booker Prize in 2009. Three years later its successor, Bring Up the Bodies, became the first sequel ever to win the prize in its 44-year history. Then came the RSC's stage adaptation of both novels, while the BBC adapted Wolf Hall, with Mark Rylance (pictured below) in the title role. Finally, after a long wait for her fans, came The Mirror & the Light, which followed its predecessors into the Read more ...
Helen Hawkins
A sun-baked island resort; Keeley Hawes taking a leisurely dip in an infinity pool as we hear her in voiceover musing on how events happen unchosen, with you in them; then we are up in her room, where she is texting somebody. The sounds of gunshots and mass panic jolt her into action. She rushes for her trainers – not flipflops, she admonishes herself, you are going to need to run.Then flashback to her among a busload of excited tourists, arriving at the hotel, unaware of their fate, naturally. More musing on life, choices, fate etc. You sense that writer Louise Doughty (Apple Tree Yard) is Read more ...
Helen Hawkins
[Here be spoilers.] If you have been glued to the second season of The Capture, just ended, does it bother you that its content is borderline science fiction? Probably not. Writer Ben Chanan’s depiction of artificial intelligence may outstrip the reality of what it can currently achieve, but he can sure spin a gripping TV series around AI's potential for creating chaos in the wrong hands. But which are the right hands? In season two, Chanan upgraded the AI he mapped out in season one, which pitted DCI Rachel Carey (Holliday Grainger) against her own intelligence service, appalled Read more ...
Helen Hawkins
A black box with a red blinking light is being stashed in a cabinet under the seating of the Olympic stadium in Munich. Then a hoodie-ed man is seen in silhouette, the stadium in the background. We are about to be plunged into the darker corners of the prosperous Bavarian city where, 50 years earlier, as the footage in the opening credits recalls, the infamous massacre of 11 members of the Israeli Olympic team by PLO gunmen took place.Different games are in the offing now, notably a special anniversary one between the local football team and one from Tel Aviv. This, various characters Read more ...
Adam Sweeting
When the first series of The Capture arrived three years ago, theartsdesk liked it so much that we reviewed it three times. Writer-director Ben Chanan had successfully, and addictively, tapped into a secret dystopia of blanket digital surveillance and so-called “correction”, in which anyone might be manipulated by shadowy state agencies to serve their own hidden agendas.That sense of an apparently “real” world subsumed by a malign virtual facsimile which can be rewritten and modified at will again underpins this second series. As we saw in a chilling opening scene, the technology could even Read more ...