mon 16/07/2018

Tchaikovsky

The Sleeping Beauty, London Coliseum review - a triumph for English National Ballet

When Tamara Rojo won the top job at English National Ballet in 2012, it looked like a poisoned chalice. Directors had come and gone, some of them with visionary ideas, but all were defeated by the company’s peculiar position as underdog to the...

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Swan Lake, Royal Ballet review - beautiful, heartfelt

A new Swan Lake at the Royal Ballet is a once-in-a-generation event. Liam Scarlett, choreographer of the production that opened this week, was a babe in arms when its predecessor was created by Anthony Dowell and Yolanda Sonnabend in 1987, and –...

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BBC Young Musician 2018 Final, Symphony Hall, Birmingham review - sky-high standards

The BBC Young Musician final was a big event in Birmingham. It drew a capacity audience to Symphony Hall, as enthusiastic, engaged and encouraging as any of the competitors could have wished. After the prodigious talent on show in the section finals...

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Eugene Onegin, Scottish Opera review - sweepingly sumptuous Tchaikovsky

It’s 25 years since Tchaikovsky’s Eugene Onegin last came to the Scottish Opera stage, and this brand new production, directed by Oliver Mears, DIrector of Opera at The Royal Opera, gives the stirring score a stately yet elusive grandeur. Based on...

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Classical CDs Weekly: Borgström, Shostakovich, Tchaikovsky, Alec Frank-Gemmill

 Borgström: Violin Concerto, Shostakovich: Violin Concerto No. 1 Eldbjørg Hemsing (violin), Wiener Symphoniker/Olari Elts (BIS)Hjalmar Borgström sounds like the name of a BBC Four gumshoe, a melancholy detective solving crimes in downtown...

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Classical CDs Weekly: Tchaikovsky, Fred Hersch, Sheku Kanneh-Mason

Tchaikovsky: Symphony No. 6 MusicAeterna/Teodor Currentzis (Sony)There's a left field vintage recording of Tchaikovsky's Pathétique conducted by Otto Klemperer, a reading totally devoid of hysteria, complete with a laughably slow third movement...

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Baráti, Lyddon, LPO, Jurowski, RFH review - Stravinsky's bright but derivative beginnings

"You have to start somewhere," Debussy is reported to have said at the 1910 premiere of The Firebird. Which, at least, is a very good "somewhere" for Stravinsky, shot through with flashes of the personality to come. The Symphony in E flat of two...

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Grosvenor, Filarmonica della Scala, Chailly, Barbican review - Tchaikovsky’s force of destiny shines bright

You could probably guess from the assembling audience that the orchestra making its Barbican debut last night came from Milan. That many mink coats rarely congregate in a London concert hall. And under the baton of its music director Riccardo...

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The Nutcracker, English National Ballet review - a thoroughly enchanting performance

The familiar doesn’t have to get old. Last night at the Coliseum there were children in the boxes, adults in the circle and grandparents in the stalls. Seasonal favourite Tchaikovsky’s Nutcracker brings all ages to the ballet — as well as...

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The Nutcracker, Royal Ballet review - superb start to the festive dance season

For some people, the festive season starts with The Nutcracker. And as it happens, this year the opening night of Sir Peter Wright’s production for the Royal Ballet was also the performance beamed live to hundreds of cinemas around the UK and...

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Remembering Dmitri Hvorostovsky (1962-2017)

A certain online scandalmonger and coffin-chaser likes to preface news of deaths in the musical world with "sadness" or "tragedy", usually when neither he nor we have heard of the person in question. But the end of Dmitri Hvorostovsky's two-and-a-...

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Soltani, West-Eastern Divan Orchestra, Barenboim, RFH review - passionate pilgrimages

A legendary name and the chance to change the face of a cruel condition set the stakes high for what Prince Charles, in his programme preface for this Southbank spectacular, told us was called the Stop MS Jacqueline du Pré Tribute Concert. There she...

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