fri 19/10/2018

musicals

Company, Gielgud Theatre review - here's to a sensational musical rebirth

The most thrilling revivals interrogate a classic work, while revealing its fundamental soul anew. Marianne Elliott’s female-led, 21st-century take on George Furth and Stephen Sondheim’s 1970 musical comedy Company makes a bold,...

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Twelfth Night, Young Vic review - Kwame Kwei-Armah makes a big-hearted return home

What better way to celebrate a homecoming than with a party? That is the capacious-hearted thinking behind this new musical version of Twelfth Night, which additionally marks Kwame Kwei-Armah's debut production at the helm of that undeniable dynamo...

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Poet in da Corner, Royal Court review - mind-blowing energy plus plus plus

There was once a time when grime music was very angry, and very threatening, but that seems a long time ago now. Today, Dizzee Rascal is less a herald of riot and revolt, and more of a national treasure, exuding charm from every pore, even if his...

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CD: Cher - Dancing Queen

Cher. Abba. The Mamma Mia films. If you're not excited by all of the above, I'm afraid we can't be friends. I will not apologise for being thoroughly giddy at the prospect of a Cher album of Abba covers. The Queen of Camp taking on some of the...

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Heathers The Musical, Theatre Royal Haymarket review - a sardonic take on teen angst

This London premiere of Kevin Murphy and Laurence O’Keefe’s 2010 musical (based on Daniel Waters’ oh-so-Eighties cult classic movie, starring Christian Slater and Winona Ryder) had a development period at The Other Palace – no critics allowed...

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DVD/Blu-ray: The Producers

Few things divide opinion as much as comedy, and we’ve all had the experience of sitting through a film stony-faced while all around collapse with mirth. What tickles you? Erudite Wildean wordplay, or the simple joys of watching a fat bloke fall...

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Unexpected Joy, Southwark Playhouse review - fully predictable fun

There's a clear theme running through this year's autumn programme at the Southwark Playhouse: new musicals with strong feminist roots. Wasted, centred on the Bronte siblings, is landing later this month, but first there's ...

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Edinburgh Festival 2018 review: Benedetti, Baltimore SO, Alsop - puzzlingly tame

The Edinburgh International Festival scored quite a coup in securing the services of Bernstein protégée Marin Alsop and the Baltimore Symphony Orchestra on the very day of the great composer/conductor’s centenary – and for the festival’s penultimate...

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Prom 57, On the Town, LSO, Wilson review - symphonic dances and sassy vocals

1944 was one hell of a year for Bernstein the composer, with a perfect ballet and a near-perfect musical sharing a general theme of three sailors loose in New York, but nothing else, in their boisterous originality. Perhaps their only equal among...

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The Best Musicals in London

Aladdin, Prince Edward Theatre ★★★ Disney's latest blockbuster film-turned-stage show remains airborne – justBat Out of Hell, Dominion Theatre ★★★★ Meat Loaf musical is right at home in We Will Rock You’s old digs. Until 27 OctDreamgirls, Savoy...

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Prom 39, West Side Story, Wilson review - best heard on the radio

In West Side Story, those great, familiar songs just keep on coming. Already by the end of the first half an hour, there have been “The Jet Song”, “Something’s Coming”, “Maria”, “Tonight” and “America”, and there is no shortage of them still to come...

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Little Shop of Horrors, Regent's Park Open Air Theatre review - monstrously entertaining

The resplendent partnership of Alan Menken and Howard Ashman – which produced Disney hits Aladdin, Beauty and the Beast and The Little Mermaid – first took root with this 1982 Off-Broadway musical, based on a low-budget Sixties film, about a...

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