literature
Jack Barron
“I lost sleep.” So begins Marie Darrieussecq’s elegantly fitful book, Sleepless, now perceptively translated into English by Penny Hueston. The sentence, suspended against the page’s whiteness, a clause unto itself, is simple, short, and grammatically reasonable.What follows is not simple, nor is it short (257 pages), and nor is it always reasonable, but it constitutes a profound attempt at a recuperation, and possibly redemption, of that initial loss. Darrieussecq is a prolific and much-lauded novelist, psychoanalyst, and translator; she has also, for a significant portion of her life, been Read more ...
Bernard Hughes
Cole the Magnificent is a picaresque, fantastical tale of the life (or lives) of a man, Cole, following his adventures as he progresses through a mythical pre-Norman Britain, from adolescence to old age, and beyond. It is episodic and poetic, by turns evoking Norse saga tradition and then putting post-modern quotation marks around it. Hard to encapsulate, it is sweeping, tricksy, violent, elegant, substantial, trifling, virtuoso, whimsical, colourful, deadpan, infuriating and nonsensical. It is, in its way, brilliant, but may not be for everyone.We first meet Cole, on his father’s “steading Read more ...
Hugh Barnes
The war in Ukraine, which Russia’s President Vladimir Putin insists on calling a “special military operation”, may have given fresh urgency to George Orwell’s warning in Nineteen Eighty-Four of the dangers of totalitarian newspeak. Yet, as Masha Karp shows in a new book, the kind of cognitive dissonance induced by Big Brother’s slogan “War Is Peace” was already familiar to generations of Russian readers long before the country actually transformed itself into Orwell’s Oceania in the months after 24th February 2022.Orwell was ever alert to propaganda but otherwise ignorant of Russian society Read more ...
India Lewis
I approached Henry Hoke’s fifth book, Open Throat, with some trepidation. A slim novel (156 pages), it seemed, at first glance, to be an over-intellectualised prose-cum-poetical text about a mountain lion.But the novel was so much more: an odd but wryly astute social commentary from an animal that has been forced to move from nature to where the humans are – and he doesn’t wholly hate it. It’s also (loosely) based on the famous P-22 mountain lion, who also lived in LA, and whose story at times intersects with that of the protagonist of Open Throat.The lion, whose name, we are told, is Read more ...
Marc Burrows
In a very real sense, Terry Pratchett taught me how to write. I first came across his work when I was 12 years old, in the early 90s.My parents had been given copies of two of the earliest books in his Discworld series, Guards! Guards! and The Colour of Magic, by a bloke down the pub – which is how you’re supposed to get Discworld books – and, knowing that I was an utter nerd with a preposterously overactive imagination and a love of silly humour, passed them down to me.I loved them from the word go, and not just because there’s (unusually for Pratchett) swearing in the opening pages of both Read more ...
Katie Colombus
Perhaps one of the most intriguing aspects of contemporary puppetry is its ability to skew our perception of reality so entirely that our senses become more heightened as we wait with meta-awareness in excited anticipation for what comes next – whether we know the story or not.On the stage of the Brighton Theatre Royal, giant figures become small objects, perspective is tipped on its side as we try to untangle the complexities of who is real and what is constructed. It is a delicious metaphorical tangle that parallels the book’s key themes.We are thrown into the infamous tale with some of its Read more ...
Hugh Barnes
The great Russian novelists of the 19th century wrote what Henry James called "large, loose, baggy monsters" out of belief that "truth" was more important than artistic form. The 20th-century Russian-Ukrainian writer A. Anatoli, who renounced his Soviet identity (and surname Kuznetsov) after defecting to England in 1969, was unquestionably an artist.Yet he chose to subtitle Babi Yar, his classic non-fiction account of Ukraine's holocaust, "a document in the form of a novel". The book, first published in a heavily censored xxx in 1966, poses the question: why and how did the unprecedented Read more ...
India Lewis
Lydia Sandgren’s debut novel, Collected Works, a bestseller in her native Sweden, has now been translated by Agnes Broomé into English, in all its 733-page glory. An epic family saga, it has flavours of the realism of her countryman, Karl Ove Knaussgard, more than a hint of emotional American big hitters like Jeffrey Eugenides or Jonathan Franzen, and something of the twists and turns of a chronicle like War and Peace.The novel begins with Martin Berg, a Gothenburg publisher, enigmatic and adrift in a sea of papers. We then cut to his daily life at an unknown point in time, from which the Read more ...
Hannah Hutchings-Georgiou
“There is another world… a way of perceiving that is chaotic and awesome and terrifying,” announces Seraphina Madsen’s cigarillo-smoking, telepathic cat.Lecturing a teenage coven on the art of sorcery and how to tap into the powers of the “Unseen world”, Tu Tu (also known as "The Master", in just one of Madsen’s many playful nods to Mikhail Bulgakov) swings from chandeliers, drinks champagne, plays the bongos and an electro-acoustic harp, and waltzes around a Gothic Revival mansion in a diamanté collar.Yet you’d be mistaken for thinking he’s a beneficent magical moggy akin to those found in a Read more ...
Jack Barron
You shouldn’t always judge a book by its cover, but you can get pretty far with an epigraph. The epigraph to Will Harris’s new collection, Brother Poem (following his T. S. Eliot Prize-shortlisted RENDANG in 2020), is a brief but telling prelude, an as-if translated from Russian into English:There stands the stump; with foreign voices otherwillows converse, beneath our, beneath those skies,and I am hushed, as if I’d lost a brother.ANNA AKHMATOVA, “Willow” (trans. JENNIFER REESER)These three lines work both as the book’s framing device and its recurrent textual spectre: like Akhmatova, Harris Read more ...
Hugh Barnes
On 24th February 2022, when Vladimir Putin launched his “special military operation”, life in Ukraine changed abruptly and in a brutal fashion. Soon the impact of the war was felt around the world – and not only in rising food and energy prices. Yet its repercussions in Russia were silenced or at least muffled by state censorship of the media and by the clampdown on dissent.Russian friends living in this alternative reality tell me that only a small minority actually believes the Kremlin’s propaganda. Helpless or uncomprehending, most people try to block out the war and get on with day-to-day Read more ...
Jack Barron
Fiona Benson’s new collection of poems, Ephemeron (Jonathan Cape, 2022), tries to capture those things that are always moving out of grasp. It does this through four sections: the first, “Insect Love Songs”, thrums with a lyric transience, zeroing-in on the minute and fleeting world of bugs, from mosquito to mayfly; “Boarding-School Tales” utters the difficult facts of childhood with sensitive recollection; in “Translations from Pasiphaë”, she retells the Minotaur myth, giving voice to Asterius’s mother and displaying the fraught, familial heart of the labyrinth; and the concluding section, “ Read more ...