Israel
theartsdesk Q&A: Pianist Saleem and Violinist Nabeel Abboud AshkarSunday, 03 August 2014
Saleem (born 1976), having dropped the "Abboud" from his name, is one of the world’s most individual top pianists: his recent disc of Mendelssohn concertos with Riccardo Chailly and the Leipzig Gewandhausorchester is bound to make my “best of year”... Read more... |
The Honourable Woman, BBC TwoFriday, 04 July 2014
Janet McTeer has admitted that she had to read Hugo Blick's screenplay for The Honourable Woman three times before she could understand what was going on. Therefore anybody hoping to drop into this as a casual viewer can expect to find the learning... Read more... |
Jimmy's HallWednesday, 28 May 2014
Ken Loach’s regular collaborators have said that Jimmy’s Hall will likely be the director’s last film, at least on the level of major projects. And his latest work is a big piece, both in scale and in heart; it’s not a defining work in Loach’s... Read more... |
Shostakovich Cycle, Jerusalem Quartet, Wigmore HallThursday, 01 May 2014
Under what circumstances can Shostakovich’s Eighth String Quartet, the most (over)played of the 15, sound both as harrowing as it possibly can be and absolutely fresh? Well, the context helps: hearing it at the breaking heart of the fourth concert... Read more... |
CupcakesWednesday, 23 April 2014
There might seem to be a world of difference between Israeli director Eytan Fox’s last film, the coming-out-of-grief, intimate drama Yossi, and his new movie, the delicious, prove-what-you-can-do comedy musical Cupcakes. But both are about moving... Read more... |
Vadim Gluzman, Angela Yoffe, Wigmore HallSunday, 29 December 2013
There were two strong reasons, I reckoned, for struggling to the Wigmore Hall during the interstitial last week of the year. One was an ascetic wish to be harrowed by a mind and soul of winter, both within and without, in Prokofiev’s towering D... Read more... |
Fill the VoidMonday, 09 December 2013
It’s usually documentary cinema that takes us inside societies of which we know little, revealing their structures and rituals. Occasionally feature films achieve something similar, and Rama Burshtein’s Fill the Void is one such, telling its story... Read more... |
Big Bad WolvesFriday, 06 December 2013
Tarantino calls Big Bad Wolves “the best film of the year”. With its Reservoir Dogs-style scenes of mutilation that are never quite as awful as you fear, a thick streak of brutal black comedy, and a twisting plot in a confined setting, Israeli... Read more... |
Boris Giltburg, Queen Elizabeth HallFriday, 15 November 2013
Among the diaspora of younger-generation Russian or Russian-trained pianists, there are at least four whose intellect and poetry match their technique. Three whose craft was honed at the Moscow or St Petersburg Conservatories – Yevgeny Sudbin,... Read more... |
The Secret Life of Uri Geller, BBC TwoMonday, 22 July 2013
Uri Geller was famous once. Superstar, rock’n’roll famous, and though this is now hard to believe, kind of cool. He hung out with John Lennon, who gave him a thing that resembles a gold-plated egg and that was, Lennon told him, a gift from a... Read more... |
World War ZFriday, 21 June 2013
The most interesting thing about this movie is what it says about the changing relationship between film and television. It's becoming commonplace to hear actors, writers and directors claiming that TV is now the place to be for powerful drama with... Read more... |
The GatekeepersWednesday, 10 April 2013
Retired spymasters, like retired diplomats, break their career reticence with particular relish, what they've known for so long in inverse proportion to what they can say. Dror Moreh’s remarkable interviews with the last six heads of the Shin Bet,... Read more... |
