indie
Album: CVC - Get RealThursday, 05 January 2023
CVC stands for Church Village Collective, a six-piece who hail from the countryside near Cardiff. They were the best live act I saw last year (of a long list which includes Melt Yourself Down, Paul McCartney, The Prodigy and Wet Leg). It was a... Read more... |
Music Reissues Weekly: Guerrilla Girlsǃ - She-Punks & Beyond 1975-2016Sunday, 01 January 2023
In December 1977, the music weekly Sounds included an article about the County Durham punk band Penetration. By Jon Savage, it was headlined The Future Is Female. The same four words would be used by the band for their promotional badges.Penetration... Read more... |
Albums of the Year 2022: Sault - Untitled (God), Today & Tomorrow, 11, Earth, AIIRFriday, 23 December 2022
It’s always hard to choose one album to spotlight come the annual Best Ofs, and 2022 has given us an extraordinary embarrassment of riches to choose from – the bountiful bastard…January brought with it a small but perfectly formed under-the-radar... Read more... |
theartsdesk on Vinyl 74: The Muppets, The Beatles, Decius, Black Lab, Black Sabbath, Tinariwen and moreMonday, 19 December 2022
Welcome to the final theartsdesk on Vinyl of 2022 which is topped off by two Vinyl of the Months, one there for seasonal jollies and the other for musical adventurousness. As ever, the rest runs the gamut from reissues of albums from decades ago to... Read more... |
Albums of the Year 2022: Wet Leg - Wet LegThursday, 15 December 2022
Actually, Spotify tells me the album I’ve streamed most this year is Motordrome, the third album by Danish pop star MØ. When I reviewed it back in January I was underwhelmed by its doleful moodiness, but, showing how wrong a quick couple of listens... Read more... |
Trans Musicales Festival 2022 review - vibrant eclecticism rules in RennesTuesday, 13 December 2022
It’s Friday night and I’ve finally arrived at 43-year-old French music festival institution Trans Musicales. Due to some dreadful nonsense, it’s taken a 12-hour train journey, two baguettes, one short Stephen King novel, six large beers, a tumbler... Read more... |
Album: We Were Promised Jetpacks - A Complete One-EightyMonday, 05 December 2022
We Were Promised Jetpacks is a band name that seems off the cuff at first glance. This could be said for the Scottish indie-rock darlings' latest effort, an EP that reworks some of their record from last year, Enjoy the View – as remixed material... Read more... |
Album: White Lung - PremonitionThursday, 01 December 2022
In 2016’s abrasive album opener, "Dead Weight", frontwoman Mish Barber-Way laments over multiple miscarriages as her biological clock ticks away like a malevolent metronome.How much has changed in the last six years, then, and none more so than for... Read more... |
Wet Leg, O2 Forum Kentish Town review - eclectic glee from an emerging bandSaturday, 26 November 2022
Arriving to the second night of two shows in the same venue, you would expect it to be a little quieter. But Wet Leg’s second outing at the O2 in Kentish Town was anything but – their burgeoning reputation (they are supporting Harry Styles next year... Read more... |
Album: Sophie Jamieson - ChoosingSaturday, 26 November 2022
Choosing packs a punch – the effect of which lingers. What’s captured by these 11 songs comes across as unfiltered, disconcertingly direct. And what it is that’s captured appears to be an account of someone getting to grips with how their lifestyle... Read more... |
Album: Weyes Blood - And in the Darkness, Hearts AglowFriday, 25 November 2022
There’s been a quiet storm of critical approval building around Weyes Blood. American singer Natalie Mering has been releasing music for over a decade but, during the last two or three years a tailwind of positive verbiage has blown her faster... Read more... |
Working Men's Club, Chalk, Brighton review - untrammelled, noisy and grim-facedThursday, 24 November 2022
The chorus to Working Men’s Club’s song “Money is Mine” usually runs, “Endless depression, it’s time/Suicide is yours when the money is mine.” Presented as the penultimate song of their set, frontman Syd Minksy-Sargeant distils this. Grim-faced, his... Read more... |
