fri 10/04/2020

indie

New Music Lockdown Livestream Special 1: Miley Cyrus, Metallica, Diplo and more

Given the times, theartsdesk’s New Music section is starting weekly round-ups of new streaming fare tob liven the spirits and entertainingly pass the time during this lockdown. Here are our first five suggestions. Dive in!Light In The Attic...

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theartsdesk on Vinyl Lockdown Special 1: Napalm Death, Brazilian jazz-pop, 1980s indie and more

For the duration of this C19 Lockdown, rather than the usual sprawling monthly epic, theartsdesk on Vinyl will be presented regularly in bite-sized editions, roving across the pile of releases we have already, since those incoming have been whittled...

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Reissue CDs Weekly: Hangman’s Beautiful Daughters

A raga-rock circularity. Finger cymbals. A distant, etiolated female vocal. A fuggy atmosphere. A kinship with Jefferson Airplane’s “Come Up The Years”, The Jesus and Mary Chain’s “Just Like Honey” and The Velvet Underground’s “All Tomorrow’s...

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Album: Waxahatchee - Saint Cloud

Waxahatchee’s fifth album wasn’t intended as an escapist fantasy. Written shortly after Katie Crutchfield decided to get sober, Saint Cloud documents a journey towards self-acceptance; one woman’s reckoning with her past and its impact on the people...

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theartsdesk Q&A: musician Rick McMurray

With them having famously been just teenagers when they released their debut single in 1994 it seems fitting – and not a little tongue in cheek – that the indie rock trio chose Teenage Wildlife for the title of their 25th anniversary compilation....

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Big Thief, Eventim Apollo review - flashes of brilliance

Big Thief’s show promised that particular brand of raw singing and perfect guitarmanship that only they can provide, something which they presented with a playful, earnest charm. Adrianne Lenker shared the stage with her three bandmates, two other...

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Alice Boman, Union Chapel review - Swedish singer-songwriter confounds expectations

Judging by her debut album, Malmö singer-songwriter Alice Boman’s frosted-glass musical aesthetic has the odd hint of Mazzy Star and draws from the sound world created for Twin Peaks – a similar outlook to Gothenburg’s El Perro del Mar. Dream On is...

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Album: Lanterns On The Lake - Spook The Herd

Spook The Herd concludes with “A Fitting End”. In a cracked, reflective voice, Hazel Wilde sings: “I want a door to the Nineties…what a fitting ending, what a perfect scene.” By hoping for a portal into the recent past, it seems an attempt is being...

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Angel Olsen, Eventim Apollo review - rock reinvention at its loudest

Angel Olsen’s show at the Eventim Apollo has been much hyped and publicised over the past weeks, an indie chanteuse reinventing herself, recasting herself with a darker, more rocky sound. Her set was clearly and obviously "rock", a sound and...

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Album: Tame Impala - The Slow Rush

And so, Tame Impala’s evolution from riff-laden psych-mongers to dancefloor-fillers is complete. It’s undeniable from the opening drum machine on “One More Year” supplanting Kevin Parker’s trademark kit-work. The band’s music has always been built...

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theartsdesk in Aalborg: Northern Winter Beat 2020 review

U-Bahn’s second-ever live show outside their home country Australia took place in Aalborg, in Jutland, in the north of Denmark. They were in this congenial, routinely rain-sodden city last weekend for Northern Winter Beat, the annual festival of...

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Celtic Connections 2020, Glasgow review - Yorkston/Thorne/Khan and Roaming Roots Revue celebrate joy of collaboration

While there’s usually something for everybody on the Celtic Connections festival programme, where Glasgow’s midwinter festival tends to shine is in its collaborations and special events. Over the past 18 days the city has hosted folk icon Peggy...

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