history
Marina Vaizey
Ebullient, prolific, loquacious and a charmingly enthusiastic historian both in print and for television, Simon Sebag Montefiore has turned his attention to the pivotal city of Vienna, nourished equally by the Danube and its central geographical position in Europe.Images, both interior and exterior, were punctuated by our intrepid explorer-historian, characteristically garbed in bright blue shirt, giving scale to street and landscape, and easily picked out by his trademark jaunty straw hat as he walked through imperial Vienna. It was history experienced on foot, matching intellectual and Read more ...
Adam Sweeting
DW Griffiths's 1915 silent epic, The Birth of a Nation, became notorious for its pejorative portrayal of black people and its heroic vision of the Ku Klux Klan. For his directorial debut, Nate Parker has appropriated Griffiths's title and whipped it into a molten onslaught against America's history of slavery and racial prejudice.Arriving in an America outraged – yet again – by police violence and witnessing the rise of Black Lives Matter, Parker's The Birth of a Nation was uncannily timely, and it prompted a studio bidding war when it premiered at Sundance in January this year. It's a Read more ...
Adam Sweeting
As an old Sixties lefty brought up on paranoia-infused thrillers like The Parallax View or All the President's Men, Oliver Stone loves ripping open great American conspiracies. However, in contrast to his earlier labyrinthine epics Nixon and JFK, this account of CIA whistleblower Edward Snowden keeps clutter to a minimum as Stone fashions a tense, fast-moving drama which will leave you pondering over what's really justifiable for the greater good.It's no great surprise to find that Stone portrays Snowden as a noble crusader for free speech and democratic accountability against the might of Read more ...
Graham Rickson
Anthony Harvey’s The Lion in Winter was released in 1968, the screenplay adapted by James Goldman from his long-running play. Loosely based on historical fact, the Lear-like plot charts an ageing King Henry II’s futile attempts to choose a successor after the premature death of his eldest son.The film’s pleasures are many. A hyperactive Peter O’Toole chews up the scenery as the monarch, aided by a superb supporting cast. Crucially the film looks right: filmed on location in France, we really do get a sense of the era’s grubbiness. Badly-dressed peasants and numerous chickens flood the few Read more ...
Tom Birchenough
Latin America has learnt from harsh experience just what the legacy of dictatorship involves, when the structure itself may have been dismantled but the psychology that it engendered remains. It’s a subject that has been tackled by many of the continent’s filmmakers, prime among them perhaps Pablo Larrain in Chile, for whom such explorations have themselves become part of the slow process of moving on from that past.The Clan has Argentina's Pablo Trapero dramatising a real-life story from the 1980s that is as chilling as they come, while the manner in which he approaches it only underlines Read more ...
Mark Kidel
The jungle, a region of Edenic fantasy and unspeakable terrors, has always fed the white man’s imagination as well as kindled his greed. Not surprisingly, this is rich ground for the movies – a place beyond time, the home of noble savages and an El Dorado to be stripped of its riches. In most jungle movies, including The Mission and The Emerald Forest, the indigenous population is romanced or demonised, or a mixture of both. Werner Herzog, with Aguirre, God of Wrath and Fitzcarraldo, managed to temper the exoticism that tends to colour the outsider’s view of nature untouched and cultures Read more ...
Tom Birchenough
From the schoolroom straight to the throne: it was a rapid rise for 18-year-old Victoria, and managing as monarch wasn’t helped when everyone around you had their own agenda and was raring to act on your behalf. Moving nicely from TARDIS to palace – and mercifully from Alexandrina (even worse as the shorter 'Drina) to Victoria – Jenna Coleman in the title role combined wide-eyed innocence with an independence and hints at a steelier impetuosity that delivered well in this opening episode (of eight) of what has already been dubbed the new Downton.And not only because of its primetime Sunday Read more ...
Tom Birchenough
Tough love doesn’t get much tougher. Ukrainian priest Gennadiy Mokhnenko has spent two decades trying to keep children off the streets, and away from drugs, in his hometown Mariupol, using methods that elsewhere in the world would count as vigilante. For him radical intervention was the only way of responding to the social breakup of the 1990s, after the Soviet collapse brought his society to a profound low point, both psychologically and economically, while those nominally in power were conspicuous by their inaction, or worse. He's been doing it ever since.Mokhnenko’s charisma is at the Read more ...
Nick Hasted
Much like Margaret Thatcher’s tearful tumble from Downing Street, the haggard, hoarse Tony Blair who materialised after Chilcot must have given even his enemies pause. The glib, youthful Nineties spin-master now recalled Scrooge’s reproachful future ghost, a man mutely begging to be shriven. The last person he’d choose for such confession, though, would surely be George Galloway, whose presence as presenter may handicap this film’s reception. If any politician is even more toxic than Blair, it’s Gorgeous George. Still, this crowd-funded documentary is a lively, well-researched investigation Read more ...
Mark Sanderson
So much has happened since the first of June when Versailles flounced on to our screens with its flowing locks and flashing cocks. The British people have voted to widen the Channel, the Conservatives have a new leader, Labour doesn’t have one and Christopher Biggins has been expelled from the Big Brother house. As Louis XIV might have said: plus ça change…The title song (Now and Forever by M83) became increasingly haunting as the weeks and wigs (often with heads still attached) rolled by. The series lost interest in sex as more and more bricks were laid, the palace took shape and glory shone Read more ...
Hanna Weibye
The Flames of Paris, in Alexei Ratmansky's 2008 reworking, is a ballet of contrasts. Between the first and second acts, so different in pace and quality, between the naturalistic intimacy of certain pas de deux and the stylised posturing of the crowd scenes, between the tedious masque in Act I and the fireworks show-off variations in Act II, between the liquid velvet blood-red curtains and the flat black-and-white line drawing sets.But it works, and that's down in large part to the choreographer's clever transformaton of the Stalin-pleasing Soviet ballet by Vasily Vainonen into something much Read more ...
Tom Birchenough
There’s much more to Brendan J Byrne’s engrossing, even-handed documentary Bobby Sands: 66 Days than its title might at first suggest. The timeline that led up to the death on 5 May 1981 of the IRA prisoner provides the immediate context – an increasingly dramatic one as the countdown of Sands’s hunger strike nears its inexorable conclusion. But the film’s interest is broader, not least in examining his role as a symbolic figure, both in the immediate context of the conflict in Northern Ireland, and across a much wider historical perspective.The drama of Sands’ life and death has already Read more ...