fiction
Best of 2022: BooksSaturday, 31 December 2022
From Kafka’s spry sketches to Derek Owusu’s novel-poem, and Jaan Kross’s Estonian Wolf Hall to Katherine Rundell’s spirited biography of John Donne, our reviewers take the time to share their favourite books of 2022. Before his death, Franz... Read more... |
Derek Owusu: Losing the Plot review - the finest perfumeThursday, 10 November 2022
Derek Owusu’s debut That Reminds Me won the Desmond Elliot Prize in 2020. When asked what it was that she loved most about Owusu’s semi-autobiographical 117-page book, Preti Taneja, chair of the judges (and winner of the prize herself in 2018)... Read more... |
Cormac McCarthy: The Passenger review - abstruse, descriptive, digressiveTuesday, 25 October 2022
Cormac McCarthy’s first books in over a decade are coming out this year, a month apart from one another. The Passenger tells the story of deep-sea diver Bobby Western, desperately in love with his perfect, beautiful, wildly intelligent dead sister,... Read more... |
Mariana Enriquez: Our Share of Night review - delving into a violent, erotic worldMonday, 24 October 2022
Tense with horror and the sticky darkness of the Argentinian night, Mariana Enriquez’s writing is rich and occult. Her epic novel, Our Share of Night, vividly translated from the Spanish by Megan McDowell, follows on from her short story collections... Read more... |
William Boyd: The Romantic review - historical soap opera, anyone?Saturday, 22 October 2022
Writing in the Edinburgh Review in 1814, Francis Jeffrey began his review of Wordsworth’s The Excursion with a provocative denunciation of romanticism: “This will never do,” he complained. “It bears no doubt the stamp of the author’s heart and fancy... Read more... |
'The first thing I do when I wake up is write.' Hilary Mantel, 1952-2022Friday, 23 September 2022
Hilary Mantel, who has died at the age of 70, was a maker of literary history. Wolf Hall, an action-packed 650-page brick of a book about the rise and rise of Thomas Cromwell, won the Man Booker Prize in 2009. Three years later its successor,... Read more... |
Olivier Guez: The Disappearance of Josef Mengele review - the Nazi who was never foundThursday, 01 September 2022
Bringing Olivier Guez’s novel The Disappearance of Josef Mengele on a beach holiday may seem like an odd choice (such is the lot of a reviewer). This incongruity transformed into something stranger, however, when I learned that the Nazi doctor Josef... Read more... |
Amalie Smith: Thread Ripper review - the tangled web we weaveWednesday, 03 August 2022
Sitting in the park on a hot summer’s day, life began to imitate art. I had been soaking up the sun’s now overpowering rays for over an hour and was beginning to feel its radiating effects.Golden green filaments of grass moved back, the trees swayed... Read more... |
Katya Adaui: Here Be Icebergs review - odd relationsFriday, 01 July 2022
The title of Katya Adaui’s debut collection in English is taken from one of the 12 short stories it contains: an allusion to the depths hidden below the surface, which is also one of the book’s central motifs.Adaui is the Peruvian author of three... Read more... |
Mieko Kawakami: All the Lovers in the Night review - the raw relatability of lonelinessSaturday, 25 June 2022
Mieko Kawakami is the champion of the loner. Since achieving immense success in the UK with her translated works, she has become an indie fiction icon for her modern, visceral depictions of characters who exist on the fringes of Japanese society.... Read more... |
10 Questions for art historian and fiction writer Chloë AshbySaturday, 11 June 2022
“Is she at a pivotal point in her life but unable to pivot…?” Eve, the young heroine of Chloë Ashby’s dazzling debut novel, Wet Paint, asks this question standing in front of Édouard Manet’s painting "A Bar at the Folies-Bergère" (1882). Yet she... Read more... |
Kim Hye-jin: Concerning My Daughter review - room for complicationFriday, 27 May 2022
In this best-selling Korean novella, recently translated into English by Jamie Chang, Kim Hye-jin offers us the perspective of a Korean mother. It’s narrated entirely from the perspective of a woman of around 60 who has a daughter in her thirties... Read more... |
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