wed 18/09/2019

feminism

A Doll's House, Lyric Hammersmith review - Ibsen tellingly transposed to colonial India

Newly arrived from a much-lauded stint at the Sherman Theatre, Cardiff, Rachel O'Riordan has undertaken to make "work of scale by women" during her time as artistic director of the Lyric. What better place to start than with Ibsen's once-shocking...

Read more...

Margaret Atwood: The Testaments review - pertinent but lacklustre

You will doubtless have seen the protestors who dress as Gilean handmaids to protest anti-abortion legislation from Texas to Missouri. They model their costumes on those of the television adaptation of The Handmaid’s Tale: tight white bonnets...

Read more...

Peaches, Royal Festival Hall review - blissful anarchy

“Thank you for making us so fucking special!” It’s the end the set and both adjectives are appropriate. “Yes I had to say fucking special,” Peaches yells, combative and loved. The audience howls back. The Royal Festival Hall is hardly a natural...

Read more...

Selina Todd: Tastes of Honey review – Salford dreams of freedom

In the late 1950s, a photo technician from Salford suddenly became “the most famous teenager in Britain”. Shelagh Delaney was 19 when she sent the script of A Taste of Honey to the radical director Joan Littlewood. Within a matter of weeks, in May...

Read more...

Kathy Burke's All Woman, Channel 4 review - warts and all

What’s the next level above national treasure? We’ll need a name for it by the end of All Woman, Kathy Burke’s new Channel 4 documentary. With a big heart and a foul mouth, she’s travelled the country trying to define 21st century womanhood – an...

Read more...

CD: Frank Turner - No Man's Land

Frank Turner’s compendium of extraordinary female lives, from the “impudence” of a Byzantine princess to his mum via Mata Hari, is admirably ambitious and historically intriguing. The arena-playing folk-punk digs deeper into factual byways than he...

Read more...

Our Women on the Ground: Essays by Arab Women Reporting from the Arab World ed. Zahra Hankir review – journalism from the front lines

Many of the women in this pioneering collection of essays have faced unimaginable hardship in their pursuit of truth – persecution by extremist groups as well as the loss of family members and friends. The tone of this collection is, however, best...

Read more...

The Collection: Nina Leger trans. Laura Francis – daring, direct and richly imagined

Jeanne – employment, age and appearance unknown, motives unknowable – is building a collection of penises. In street after street, she feigns dizziness; on the inevitable approach of a man eager to lend his help, she leads him to a hotel room. After...

Read more...

Edinburgh Fringe 2019 review: Birth

Physical theatre company Theatre Re are virtually Fringe royalty these days, with a several-year history of fine shows under their belts, plus success internationally and at the London Mime Festival. And judging by their assured and richly resonant...

Read more...

Cindy Sherman: #untitled, BBC Four review - portrait of an enigma

Cindy Sherman predicted the selfie, so goes the claim. From our current standpoint, it is all too easy to analyse her many hundreds of photographic self-portraits made since the late 1970s as cultural forebears of the digital medium. What this BBC...

Read more...

Die Zauberflöte, Glyndebourne Festival review – high jinks in the Grand Mozart Hotel

Die Zauberflöte rarely attracts the plain cooks of the operatic world. Mozart’s farewell opera chucks so many highly-spiced ingredients into its outlandish pot – pantomime and parable, burlesque and ritual – that many productions opt for one show-...

Read more...

Ewa Banaszkiewicz and Mateusz Dymek: 'Is our film porny?'

Spoiler alert: About sixty-four minutes into our debut feature film, one of the main female characters undresses for the camera. Alicja is being filmed by the other protagonist, a young American documentarian named Katie. As the sexually charged...

Read more...
Subscribe to feminism