England
Classical CDs Weekly: Gounod, James MacMillan, Johannes PramsohlerSaturday, 17 August 2019
Gounod: Symphonies 1 and 2 Iceland Symphony Orchestra/Yan Pascal Tortelier (Chandos)Roger Nichols’ lucid sleeve note underlines the point that Berlioz's Symphonie Fantastique singularly failed to kick off a 19th century French symphonic... Read more... |
DVD: Are You Proud?Tuesday, 13 August 2019
Ashley Joiner’s expansive documentary Are You Proud? opens with the testament of a redoubtable nonagenarian remembering his experiences as a gay man in World War II. Though followed by the admission that he had to live his later life as a lie, it’s... Read more... |
Rinaldo, Glyndebourne Festival review - teenage dreamsFriday, 09 August 2019
If you’d started senior school when this production premiered, you’d be finished by now and out in the world of work or at university, your first year days a distant memory. A lot’s changed since the curtain first came up on this version in 2011,... Read more... |
Cindy Sherman: #untitled, BBC Four review - portrait of an enigmaMonday, 29 July 2019
Cindy Sherman predicted the selfie, so goes the claim. From our current standpoint, it is all too easy to analyse her many hundreds of photographic self-portraits made since the late 1970s as cultural forebears of the digital medium. What this BBC... Read more... |
Eugene Onegin/Georgiana, Buxton Festival review - poetry and pantomimeThursday, 11 July 2019
It’s the saddest music in the world: the quiet heartbeat and falling melody with which Tchaikovsky opens his opera Eugene Onegin. Imagine a whole society, a whole lifetime of solitude, longing and disillusion, evoked in a single bass note and a few... Read more... |
Charles I: Downfall of a King, BBC Four review - beheaded monarch upstaged by exotic presenterWednesday, 10 July 2019
“I want to discover how our government could fall apart and the country become bitterly divided in just a few weeks,” historian Lisa Hilton announced at the start of her BBC Four account of the traumatic demise of Charles I. In a mere 50 days in... Read more... |
The Secret Diary of Adrian Mole Aged 13-3/4, Ambassadors Theatre review - needs a chill pillSaturday, 06 July 2019
Time hasn't necessarily been kind to this slow-aborning West End transfer of a show first seen (and lauded) in its 2015 debut in Leicester and then again two years later for a summer run at the Menier Chocolate Factory. The Secret Diary of Adrian... Read more... |
The Turn of the Screw, Garsington Opera review - superb music drama on an open stageFriday, 05 July 2019
The famous ambiguity of Henry James's The Turn of the Screw is whether the ghosts that take possession of the two children are real or merely figments of the young Governess’s imagination. Britten’s opera resolves this unequivocally in favour of... Read more... |
Inside the Ritz Hotel, ITV review - glitz and glam, but no detailThursday, 04 July 2019
Should the Ritz catch up with modernity? This question is posed and immediately answered with another question: Does it need to? Not really, say the staff, clients and celebrity guests that populate this bubbly, formulaic and unashamed celebration... Read more... |
the end of history ..., Royal Court review - raises more questions than it answersThursday, 04 July 2019
An apocalyptic title proves somewhat of a red herring for a slight if intriguing play that returns the dream team behind Harry Potter and the Cursed Child to their erstwhile stomping ground at the Royal Court. Set across 20 years in the Newbury... Read more... |
First Person: Damian Cruden on reinvigorating the Bard away from London with Shakespeare's RoseTuesday, 02 July 2019
How we deliver culture in the modern day is complex. There are many misconceptions about where and who is capable of leading the nation’s cultural charge. The accepted conceit is that if culture doesn’t emanate from certain places, like London or... Read more... |
Present Laughter, Old Vic review - Andrew Scott continues his rise and riseWednesday, 26 June 2019
"Will You Still Love Me Tomorrow?" can be heard pulsating through the Old Vic auditorium as the curtain rises on its wondrous revival of Present Laughter: a decisive feather in the cap of artistic director Matthew Warchus's regime. But all Garry... Read more... |
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