sat 05/07/2025

England

Quadrophenia, Sadler's Wells review - missed opportunity to give new stage life to a Who classic

The red, white and blue bull’s-eye on the front curtain at Sadler’s Wells tells us we are in the familiar territory of Pete Townshend’s rock musical about teenage angst in 1960s Britain. What follows isn’t so easy to recognise.Quadrophenia started...

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Jenny Saville: The Anatomy of Painting, National Portrait Gallery review - a protégé losing her way

When in the 1990s, Jenny Saville’s peers shunned painting in favour of alternative media such as photography, video and installations, the artist stuck to her guns and, unapologetically, worked on canvases as large as seven feet tall. While still a...

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Chicken Town review - sluggish rural comedy with few laughs (and one chicken)

Fans of the character comedian Graham Fellows will possibly turn up for this British film starring the man who created the punk parody single “Jilted John” and Sheffield’s finest, the car-coated singer-songwriter John Shuttleworth. But they may...

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Outrageous, U&Drama review - skilfully-executed depiction of the notorious Mitford sisters

If somebody submitted a treatment for a new costume drama series set in the 1930s in which not just one but two fictitious sisters from a fading aristocratic family pair off with leading fascists, while the cousin warning them off these liaisons is...

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28 Years Later review - an unsentimental, undead education

The 23 years since 28 Days Later and especially those since Danny Boyle’s soulful encapsulation of Britain’s best spirit at the 2012 Olympics have offered rich material for a franchise about deserted cities, rampaging viruses, hard quarantines and...

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Edward Burra, Tate Britain review - watercolour made mainstream

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but Tate Britain’s retrospective of Edward Burra manages to achieve just this. I’ve always loved Burra’s limpid late landscapes. Layers of filmy watercolour...

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Lollipop review - a family torn apart

On leaving prison, Lollipop’s thirtyish single mum Molly discovers that reclaiming her kids from social care is akin to doing lengths in a shark-infested swimming pool teeming with naval mines. Thanks to Posy Sterling’s technically astounding...

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Jane Austen Wrecked My Life review - persuading us that the French can do you-know-who

Do the French do irony? Well, was Astérix a Gaul? Obviously they do, and do it pretty well to judge by many of their movies down the decades. As we brave the salutes on this side of the Channel to arch irony-spinner Jane Austen’s 250th birth-year –...

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Big Star: The Nick Skelton Story review - the ways of a man with his mount

If you’re horse mad or merely an every-four-years Olympic fan, you already know Nick Skelton’s story. Equestrianism can favour mature competitors, but Skelton was twice the age of his rivals. He'd survived numerous injuries – including a broken...

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Mrs Warren's Profession, Garrick Theatre review - mother-daughter showdown keeps it in the family

How do you make Bernard Shaw sear the stage anew? You can trim the text, as the director Dominic Cooke has, bringing this prolix writer's 1893 play in under the two-hour mark, no interval. And you can introduce a non-speaking ensemble of women in...

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Code of Silence, ITVX review - inventively presented reality of deaf people's experience

In the guided tour of Britain’s cathedral cities that is the primetime TV detective series, the spotlight has now landed on Canterbury. Code of Silence frequently inserts a dramatic aerial shot of the city, its streets radiating out from the...

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The Deep Blue Sea, Theatre Royal Haymarket review - Tamsin Greig honours Terence Rattigan

The water proves newly inviting in The Deep Blue Sea, Terence Rattigan's mournful 1952 play that some while ago established its status as an English classic. Lindsay Posner's production, first seen in Bath with one major change of cast since then,...

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