contemporary art
Art, Theatre Royal Bath review - Yasmina Reza's smash hit back on tour 30 years after Paris premiereFriday, 06 September 2024For men, navigating through life whilst maintaining strong friendships is not easy (I’m sure the same can be said for women, but Yasmina Reza’s multi-award winning play, revived on its 30th anniversary, is most definitely about men). What brings... Read more... |
Bill Viola (1951-2024) - a personal tributeWednesday, 17 July 2024The artist Bill Viola died, after a long illness, early in the morning of Friday 12 July. I had the privilege of getting to know him while making a documentary about his life and work in 2001-2003. He quickly became a friend, as did his wife Kira... Read more... |
When Forms Come Alive, Hayward Gallery review - how to reduce good art to family funFriday, 09 February 2024Under the guidance of director Ralph Rugoff, the Hayward Gallery seems hell bent on reducing art to the level of fun for all the family. And as though to prove the point, cretinous captions strip the work of all meaning beyond the banal, while press... Read more... |
Anselm review - post-war German reckonings in 3DSunday, 10 December 2023Water glassily reflects in a bridal train, the sun moves between trees, giving way to metal book-leaves, and inside a warehouse so vast he cycles through it, stored cliffs of Anselm Kiefer’s work loom over him. Wim Wenders’ 3D cameras bring you... Read more... |
Caitlin Merrett King: Always Open Always Closed review - looking for an approach while trying to do the approachTuesday, 22 August 2023Always Open Always Closed is Caitlin Merrett King’s first published work of fiction, and it begins paratactically, with a list of displacements:MS REAL FEELS POSITIONLESS At her desk in the studio (not as often as she would like) or at the kitchen... Read more... |
Anselm Kiefer: Finnegans Wake, White Cube Bermondsey review - an awe-inspiring showFriday, 21 July 2023As a child, Anselm Kiefer tells us, in a bombed out German city, he would play in the rubble, creating life out of ruin and destruction. As an artist who is remarkably consistent, without being predictable, he continues to play in the ruins,... Read more... |
Brian Clarke - A Great Light, Newport Street Gallery review - a British master proves his worthWednesday, 28 June 2023The artist Brian Clarke, surely one of the leading British artists of our time, has been all too readily dismissed as a mere craftsman. So much for being an outstanding and highly original painter who’s also done more for contemporary stained glass... Read more... |
Sophia Giovannitti: Working Girl - On Selling Art and Selling Sex review - portrait of the artist as sex workerWednesday, 31 May 2023Sophia Giovannitti begins selling sex because it promises to make her the most amount of money in the shortest amount of time. She also has a “near categorical hatred of work.”I nearly – mentally – tweak that sentence to read “of conventional types... Read more... |
Moon Is the Oldest TV review - a fitting tribute to a visionary modern artistSaturday, 20 May 2023Who created the term “electronic superhighway”? First described a system of linked communication that would become the internet? Envisioned a multichannel TV system where viewers chose for themselves what to tune into? Watch Amanda Kim’s excellent... Read more... |
Susan Finlay: The Lives of the Artists review - the knotted threads of memoir and artWednesday, 17 May 2023Benvenuto Cellini’s My Life (1728) is not the artist-biography to which Susan Finlay’s The Lives of the Artists pays its most obvious homage, but it appears to have followed its advice. All men of achievement and honesty, Cellini argues, "should... Read more... |
Mike Nelson: Extinction Beckons, Hayward Gallery review - spooky installations by a master of detailTuesday, 28 February 2023Entry to Mike Nelson’s Hayward Gallery exhibition is through what feels like the store room of a reclamation yard. Row upon row of Dexion shelving is piled high with salvaged building materials including old doors, ancient floorboards and wrought... Read more... |
Remote review - an irredeemably silly first featureSaturday, 01 October 2022Remote is Mika Rottenberg’s first feature film. The New York-based artist was commissioned by Artangel, an organisation renowned for its promotion of interesting projects. Support also comes from art institutions across the world – Beijing, Denmark... Read more... |
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