Theatre
The Divine Mrs S, Hampstead Theatre review - Rachael Stirling shines in hit-and-miss comedyMonday, 01 April 2024
There are genres of theatre that demand buy-in from the audience – musicals, opera and the daddy of them all, pantomime. The usual entry price to the house, the suspension of disbelief, requires supplementing with an active desire to meet the... Read more... |
Power of Sail, Menier Chocolate Factory review - alternately stiff and startlingSaturday, 30 March 2024
The Menier Chocolate Factory has made something of a habit of late out of trawling unexpected corners of the contemporary American repertoire. A happy result of that last May was the local premiere of the Off Broadway show ... Read more... |
MJ the Musical, Prince Edward Theatre review - glitzy jukebox musical with a superb star but a void insideFriday, 29 March 2024
In a secret chamber somewhere, the producers of MJ the Musical may be keeping a portrait of the King of Pop that has acquired all his scars, physical and psychological.Few of them, though, are on show in this version of the ongoing Broadway hit... Read more... |
The Dream of a Ridiculous Man, Marylebone Theatre review - from Russia with loveFriday, 29 March 2024
Like all great literature, Fyodor Dostoevsky’s final, eccentric, playfully wondrous short story seems to have been written just for us – across two centuries and on the other side of the world. It’s a resonance that ripples through Laurence Boswell’... Read more... |
First Person: author-turned-actor Lydia Higman on a play that foregrounds a slice of forgotten historyThursday, 28 March 2024
I first read Anne Gunter’s story about five years ago, when I was in my first year of university at Oxford, little knowing it would over time lead to our play Gunter [seen first in Edinburgh and transferring 3-25 April to the Royal Court]. The... Read more... |
Foam, Finborough Theatre review - fascism and f*cking in a Gentlemen's Lavatory that proves short of gentlemenThursday, 28 March 2024
In a too brightly tiled Gentlemen’s public convenience (Nitin Parmar’s beautifully realised set is as much a character as any of the men we meet), a lad is shaving his head. He’s halfway to the skinhead look of the early Seventies, but he hasn’t... Read more... |
First person: playwright Paul Grellong on keeping pace with American politicsWednesday, 27 March 2024
I’m writing this in the lobby of the Menier Chocolate Factory a couple of hours before the first preview. I was last here in February for the start of rehearsals. In the time since, I’ve made a handful of, one hopes, helpful adjustments to the... Read more... |
Faith Healer, Lyric Hammersmith review - Brian Friel's masterpiece works its magic againSaturday, 23 March 2024
Brian Friel’s Faith Healer isn’t noted for its laughs, but Rachel O’Riordan has found more than most directors do in this rich, masterly piece from 1979. Her approach pays dividends in all but one respect.No portrayal of the deep melancholy of a... Read more... |
Red Pitch, @sohoplace review - the ebullient tale of teenage footballers gets a rollicking transferFriday, 22 March 2024
The reviews of Tyrell Williams' debut play on its first and second outings at the Bush Theatre were universally enthusiastic, even ecstatic. Multiple awards followed, including a clean sweep of those for first-time or promising writers. So how does... Read more... |
WAKE, National Stadium, Dublin review - a rainbow river of dance, song, and so much elseThursday, 21 March 2024
In what feels like the beginning, or at least the Old Testament, there was Riverdance. Now, ready to flow through the world once the world knows it needs it, there’s a rainbow-coloured river of just about everything musical and choreographic that’s... Read more... |
Harry Clarke, Ambassadors Theatre review - an entertaining curioThursday, 14 March 2024
Is it just coincidence, or something about the post-Covid theatrical landscape, that one-person shows are becoming commonplace; don’t producers know that it’s OK to share a stage again? Hot on the heels of Andrew Scott’s Vanya, in which... Read more... |
Uncle Vanya, Orange Tree Theatre review - Chekhov served up choiceMonday, 11 March 2024
"We all live here in peace and friendship," notes Telegin (David Ahmad), otherwise known as Waffles, early in Uncle Vanya, to which one is tempted to respond, "yeah, right."As casually bruising a play as I know, Chekhov's wounding yet also brutally... Read more... |
