Theatre
That Bastard, Puccini!, Park Theatre review - inventive comic staging of the battle of the BohèmesThursday, 17 July 2025
Before Luigi Illica wrote the libretti for Puccini’s Tosca and Madama Butterfly, he had joined the composer as the librettist in a race to stage the first production of La Bohème. The race was against Ruggero Leoncavallo, a composer Illica had once... Read more... |
Till the Stars Come Down, Theatre Royal Haymarket review - a family hilariously and tragically at warMonday, 14 July 2025
The 2024 play at the National Theatre that put writer Beth Steel squarely centre-stage has now received a West End transfer. Its title taken from an Auden poem urging people to dance till they drop, it’s probably the most passionate show in that... Read more... |
Poor Clare, Orange Tree Theatre review - saints cajole us sinnersFriday, 18 July 2025
What am I, a philosophical if not political Marxist whose hero is Antonio Gramsci, doing in Harvey Nichols buying Comme des Garçons linen jackets, Church brogues and Mulberry shades? It’s 1987 and I do wear it well though…Chiara Atik’s comedy... Read more... |
Nye, National Theatre review - Michael Sheen's full-blooded Bevan returns to the OlivierFriday, 11 July 2025
The National Health Service was established 77 years ago this month. Resident doctors are about to strike for more pay, long waiting lists for hospital treatment and the scarcity of GP appointments continue to dog political conversation, while the... Read more... |
theartsdesk at the Ravenna Festival 2025 - Cervantes, Beethoven and Byron transfiguredThursday, 10 July 2025
Anyone seeking local genius in an international festival should look no further than the annual Ravenna concerts from Riccardo Muti – Neapolitan by birth, Ravennate by adoption – with his Luigi Cherubini Youth Orchestra. Well, maybe a little further... Read more... |
Girl From The North Country, Old Vic review - Dylan's songs fail to lift the moodThursday, 10 July 2025
Well, I wasn’t expecting a Dylanesque take on "Oh, What a Beautiful Mornin'" as an opening number and I was right. But The Zim, Nobel Prize ‘n all, has always favoured The Grim American Songbook over The Great American Songbook and writer/director... Read more... |
The Merry Wives of Windsor, Shakespeare's Globe review - hedonistic fizz for a summer's eveningThursday, 10 July 2025
Shakespeare’s Prince Hal may have rejected Sir John Falstaff as a symbol of his misspent youth, but the real-life monarch Queen Elizabeth I couldn’t get enough of him. Accounts vary of who precisely commissioned The Merry Wives of Windsor – or as... Read more... |
Run Sister Run, Arcola Theatre review - emphatic emotions, overwrought productionWednesday, 09 July 2025
Near the start of Chloë Moss’s latest play, Run Sister Run, one character tells his wife to “Calm your nerves”. A classic moment of emotional illiteracy perhaps, but given the heightened nature of the drama’s opening scene, it does also seem like an... Read more... |
Intimate Apparel, Donmar Warehouse review - stirring story of Black survival in 1905 New YorkSaturday, 28 June 2025
The corset is an unlikely star of the latest Lynn Nottage play to arrive at the Donmar Warehouse, 2003’s Intimate Apparel. After the more male-dominated Sweat and Clyde’s at the same address, this is a personal piece about the lot of Black women,... Read more... |
Hercules, Theatre Royal Drury Lane review - new Disney stage musical is no 'Lion King'Saturday, 28 June 2025
Many years ago, reviewing pantomime for the first time, I recall looking around in the stalls. My brain was saying, “This is terrible, the jokes are lame, the acting execrable and the set garish.” My eyes were saying, “These kids are loving it,... Read more... |
Showmanism, Hampstead Theatre review - lip-synced investigation of words, theatricality and performanceTuesday, 24 June 2025
I think my problem is that when I should have been listening in school assemblies or RE lessons, I had the Tom Tom Club’s joyous “Wordy Rappinghood” buzzing through my mind. That experience has given me a lifelong aversion to phrases like “The Word... Read more... |
4.48 Psychosis, Royal Court review - powerful but déjà vuFriday, 20 June 2025
Sarah Kane is the most celebrated new writer of the 1990s. Her work is provocative and innovative. So it seems oddly unimaginative to mark the 25th anniversary of her final play, 4.48 Psychosis, by simply recreating the original production, with the... Read more... |
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