Opera Features
Glyndebourne Opera Cup - a view from insideTuesday, 27 March 2018
I was on a panel of six critics convened to choose the winner of a special "media award" at the Glyndebourne Opera Cup on Saturday evening. What follows is therefore not a review, but rather a chance to chew over the concept and its highs (and occasional lows). And you may be intrigued to hear that our panel and the main jury picked the exact same top three winners. Read more...
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Having a Verdi ball: conductor Richard Farnes on Opera North's upcoming productionThursday, 01 February 2018
Commentators have, over the years, variously described Un ballo in maschera (A Masked Ball) as all things to all people: Verdi’s Tristan und Isolde, Verdi’s masterpiece, Verdi’s Don Giovanni, a pure love poem, and much more. It seems to me to be one of his most consistently exciting works, perfectly proportioned and dramatically astute. Read more... |
Best of 2017: OperaTuesday, 26 December 2017
It may not have been the best year for eye-popping productions; even visionary director Richard Jones fell a bit short with a tame-ish Royal Opera Bohème, though his non-operatic The Twilight Zone is something else. Instead there's been time to reflect on what makes a true... Read more... |
theartsdesk in Stockholm - HK Gruber and sacred monstersWednesday, 29 November 2017
It was excellent, flesh-creepy fun back in 1978, when a young Simon Rattle conducted the Liverpool world premiere with the composer declaiming, but how well has Austrian maverick H(einz) K(arl) "Nali" Gruber's "pandemonium" for chansonnier and orchestra Frankenstein!! stood the test of time? One word: brilliantly. Read more... |
Remembering Dmitri Hvorostovsky (1962-2017)Friday, 24 November 2017
A certain online scandalmonger and coffin-chaser likes to preface news of deaths in the musical world with "sadness" or "tragedy", usually when neither he nor we have heard of the person in question. Read more... |
'Singers must act better than ever before'Sunday, 12 November 2017
"Vary the song, O London, change!" sings Tom Rakewell as he tires of the great metropolis. WH Auden and Chester Kallman's libretto for Stravinsky's The Rake's Progress strikes a chord with me too. London has magnificent opera but, at the top end, it comes at a price. Not just for the audience but for the singers. Lavish sets and costumes force historical productions into revivals. Read more... |
'Fanny Price’s pained silences gave me the impulse to write music for her'Saturday, 16 September 2017
When I first read Mansfield Park, some 30 years ago, I heard music. That doesn’t always happen when I read, and it certainly didn’t happen when I read other novels by Jane Austen. There is something about this particular book that provoked musical ideas. Read more... |
‘A massive party full of treats and surprises’: Annabel Arden on six mini masterpieces at Opera NorthThursday, 14 September 2017
The first day of rehearsals for The Little Greats was thrilling and terrifying in equal measure: the casts of six shows, the whole chorus, all the creative teams and management milling around and talking nineteen to the dozen in the big, reverberant Linacre Studio at Opera North. Old friends, new colleagues – it was like a mixture of freshers’ week and a first night party. The noise was stupendous. Read more... |
Michael Volpe on a Requiem for Grenfell: 'one of the most remarkable evenings in our history'Thursday, 03 August 2017
On the morning of the Grenfell Tower disaster, as the news of the fire gathered pace and gravity, our phones were abuzz with concern for our front of house colleague, Debbie Lamprell, who we knew lived in the tower. We all called her number time and again, sought to reassure one another with optimistic scenarios whereby her telephone may have been left at home as she escaped. My telephone rang again. Read more... |
Pick of the 2017 BBC Proms: from Orthodox chant to Oklahoma!Saturday, 08 July 2017
It’s the best-looking Proms season on paper for quite a few years. Read more... |
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