Blood + Chocolate, York Theatre Royal | reviews, news & interviews
Blood + Chocolate, York Theatre Royal
Blood + Chocolate, York Theatre Royal
Spectacular site-specific collaboration with Pilot Theatre and Slung Low brings the trenches to the streets of York
![](https://theartsdesk.com/sites/default/files/styles/mast_image_landscape/public/mastimages/Soldiers%20marching%20Blood%20%2B%20Chocolate_Production_Photo%20by%20John%20R%20Saunders-17%20.jpg?itok=mz9hgtv9)
Never before has “All the world’s a stage, and all the men and women merely players” been a more fitting opening gambit. This sprawling wartime spectacle knew few bounds as it marched across York’s cobbled streets for an evening that produced watery eyes, open mouths and, admittedly, tired legs.
Treading the ever-narrowing waters between theatre and cinema was a travelling audience that followed the action through the city centre while listening on headphones. From the starting point in Exhibition Square, where young lad George (Luke Adamson) and his sweetheart Maisie (Edith Kirkwood) were introduced in a flickering projection on the neo-classical De Grey Rooms building, to the stirring finish at Clifford’s Tower, every minute beggared belief.
Couples and families huddled closer in those final moments
This innovative collaboration between York Theatre Royal, Pilot Theatre and Slung Low builds on the concept of Mapping the City – a smaller-scale theatrical experiment that took place around Hull as part of the Cultural Olympiad – and of course last year’s remarkable outdoor Mystery Plays in the York Museum Gardens. Blood + Chocolate’s cast of 180 and 600-odd volunteers was what it took to make Anna Gooch’s mobile set as epic as Mike Kenny’s script, which examines the First World War’s transformative effects on some of York’s residents.
“There’s nowt to worry about,” says George, as, preparing to join the front line in 1914, he tries to reassure his mother (Lisa Howard) about his safety. With the conflict looking as if it will continue past Christmas, the Lord Mayor of York decides to send a tin of Rowntree’s chocolate to every serving soldier from the city. “It smells jus’ like ‘ome,” George giddily tells another Tommy, opening his tasty treat while bombs explode on distant battlefields.
Maisie, meanwhile, has found work in the chocolate factory, and waits for George to return. And waits. But when he does, shell-shock prevents him from functioning in society. “I imagined myself taking care of his bairns on a weekend,” says George’s mother between teary gasps. “We’ll have to think of something else to do with the rest of our lives.”
Couples and families huddled closer in those final moments – and not entirely because it was 9.30pm on an October night. The past-present juxtaposition on the city-wide stage made this tale of human love, loss, strength and weakness in times of war particularly heart-wrenching. It was touching simply to observe these wartime friends, lovers and dreamers line the same streets as their bemused real-life counterparts who, standing by at cashpoints and outside pubs, might easily have been part of the lost generation themselves - although, on the night, they might have been forgiven for confusing some of the actors for freshers in fancy dress. (Picture above right by James Drury)
The marketing buzzwords “theatrical experience” are a thousand miles from summing up Blood + Chocolate, which, quite simply, needs to be seen to be believed.
- Blood + Chocolate continues until 20 October. Call the theatre box office on 01904 623568 to join the reservation waiting list
Overleaf, browse more images from the production
Click on the images to enlarge
rating
Explore topics
Share this article
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more Theatre
![Phenomenal vocals: Mary Bridget Davies as Janis Jopin](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/Mary%20Bridget%20Davies%20as%20Janis%20Joplin%20in%20A%20NIGHT%20WITH%20JANIS%20JOPLIN%2C%20credit%20Danny%20Kaan%201.jpg?itok=SAe3HcYn)
![Desperate, farcical, infuriating, ultimately patience-testing: (l-r) Bertrand Lesca and Nasi Voutsas in L'Addition](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/L%27addition%20small.jpg?itok=0I_fgLCR)
![Tosin Cole and Heather Agyepong in Shifters - musical chairs ends in no score draw](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/6%29%20Tosin%20Cole%20%28Dre%29%20Heather%20Agyepong%20%28Des%29%20%28c%29%20Marc%20Brenner%20.jpg?itok=SayQSagA)
![Trunk route: Tom Byrne as Richard Hannay being chased across the misty moors](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/The%2039%20Steps%20-%20%20Tom%20Byrne%2C%20%C2%A9Mark%20Senior.jpg?itok=XCKIG66o)
![A furious dissection of Jewish mores: (l-r) Dylan Corbett-Bader and Gemma Barnett in REVENGE: After the Levoyah](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/Revenge%20After%20the%20Levoyah%20small.jpg?itok=FaMZBRhb)
![Blistering solo performance: Robbie Gordon in Wonder Fools' 'Òran'](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/Oran%20small.jpg?itok=4Y5OWyCB)
![Réka Jónás, Lily de la Haye and Stuart Pendred in The Fabulist - cardinal sinning](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/3B9A2322-Edit.jpg?itok=uDXzVpKZ)
![Diva, harridan and force of nature: writer and performer Arturo Luíz Soria plays his own mother in 'Ni Mi Madre'](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/Ni%20mi%20madre%20small.jpg?itok=i_hrsMH1)
![A Waiting for Godot for the climate-crisis era: (l-r) Luke Rollason and Paul Adefaya in Daisy Hall's 'Bellringers'](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/Bellringers%20small.jpg?itok=DTWvlAyd)
![No time for words: Nadia Nadarajah, John Hollingworth](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/AC%202%20main%202.png?itok=uZSP1XEP)
![Jane Horrocks and Nicolas Tennant - 'I think that speck on the horizon might be Nigel Farrage'](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/The%20Birthday%20Party%20-%20Jane%20Horrocks%20and%20Nicolas%20Tennant%20-%20Foteini%20Christofilopoulou%20%282%29.jpg?itok=QZfSFQbm)
![Odd couple: Humera Syed and Usaamah Ibraheem Hussain in ‘Peanut Butter & Blueberries'](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/peanut1.jpg?itok=h_K4m95F)
Add comment