wed 16/10/2019

CD: Noah and the Whale - Last Night on Earth | reviews, news & interviews

CD: Noah and the Whale - Last Night on Earth

CD: Noah and the Whale - Last Night on Earth

Former nu-folkies find reasons to be cheerful from the Eighties

But let there be no mistake, poppier for Noah and the Whale does not mean less substantial. Whether Fink’s talking about himself or about others, there’s always a sense that he’s trying to work out something very personal. Recorded in California, the songs use vignettes drawn from LA suburbs to evoke the optimism and occasionally the wistfulness of lives led in all strata of society. If on “Five Years Time” the band described the innocence and naivety of young love, and the sophomore album worked out the singer’s heartbreak, Last Night on Earth is about being wiser and yet still finding reasons to be cheerful.

The lyrics contain some cute moments such as, “His standard works of fiction about imaginary success/ The chorus girls in neon were his closest things to friends/ But to a writer, the truth is no big deal” ("L.I.F.E.S.G.O.E.S.O.N."), but they aren’t overly sophisticated. The album’s success really lies in the way they are brought to life by music as sweet as the soundtrack to a mid-Eighties teen movie, all synths, drum machines and Fink’s lugubrious vocals. The opener, “Life is Life”, has an exhilarated, elated quality. “L.I.F.E.G.O.E.S O.N" reworks Lou Reed’s “Walk on the Wild Side”, with melodic phrases borrowed from Paul Young’s cover of “Love of the Common People”. And the album’s most tender moment comes with Fink talking briefly in the first person, reflecting as he finds new romance (“Just Me Before We Met”). Like Eels last year, Noah and the Whale have succeeded in running an album of melancholy and despair straight into one of brightness and hope, and in so doing have made music that's genuinely uplifting.

Watch a video of the single "L.I.F.E.G.O.E.S.O.N." below

Add comment

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 10,000 pieces, we're asking for £3.95 per month or £30 per year. We feel it's a very good deal, and hope you do too.

To take an annual subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters

Advertising feature

★★★★★

A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.
The Observer, Kate Kellaway

 

Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.

 

★★★★★

This final part of Florian Zeller’s trilogy is the most powerful of all.
The Times, Ann Treneman

 

Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.

 

Book by 30 September and get tickets from £15*
with no booking fee.