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Lisa Kaltenegger: Alien Earths: Planet Hunting in the Cosmos review – a whole new world
Kaltenegger's traverses space in her thoughtful exploration of the search for life among the stars
The Book of Clarence, review - larky jaunt through biblical epic territory
LaKeith Stanfield is impressively watchable as the Messiah's near-neighbour
Album: Pearl Jam - Dark Matter
Enduring grunge era icons return full of energy, arguably their most empowered yet
Bell, Perahia, ASMF Chamber Ensemble, Wigmore Hall review - joy in teamwork
A great pianist re-emerges in Schumann, but Beamish and Mendelssohn take the palm
An Actor Convalescing in Devon, Hampstead Theatre review - old school actor tells old school stories
Fact emerges skilfully repackaged as fiction in an affecting solo show by Richard Nelson
First Persons: composers Colin Alexander and Héloïse Werner on fantasy in guided improvisation
On five new works allowing an element of freedom in the performance
Yinka Shonibare: Suspended States, Serpentine Gallery review - pure delight
Weighty subject matter treated with the lightest of touch
Album: Paraorchestra with Brett Anderson and Charles Hazlewood - Death Songbook
An uneven voyage into darkness
Anthracite, Netflix review - murderous mysteries in the French Alps
Who can unravel the ghastly secrets of the town of Lévionna?
The Comeuppance, Almeida Theatre review - remembering high-school high jinks
Latest from American penman Branden Jacobs-Jenkins is less than the sum of its parts
Richard, My Richard, Theatre Royal Bury St Edmund's review - too much history, not enough drama
Philippa Gregory’s first play tries to exonerate Richard III, with mixed results
Heather McCalden: The Observable Universe review - reflections from a damaged life
An artist pens a genre-spanning work of tender inconclusiveness
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