La boheme, English National Opera | reviews, news & interviews
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Edinburgh Fringe 2022 reviews: Colin Hoult / Nick Helm / Susie McCabe
A sad adieu, a pandemic experience and the awfulness of hen dos
Album: Danger Mouse & Black Though - Cheat Codes
A thrilling reminder of what hip-hop can be when you go back to your roots with absolute focus
All of Us, National Theatre review - revelatory, but problematic
Francesca Martinez’s debut play about disability politics entertains – and frustrates
Edinburgh Fringe 2022 reviews: The Last Return / Psychodrama / Exodus
Three shows at the Traverse take in gritty realism and no-holds-barred farce
theartsdesk at the Bayreuth Festival Ring 2022 - a jumbled mess of ideas, some of them compelling
A Tarantino-style Ring cycle offers many inspired scenes, but little coherence or depth
Edinburgh Fringe 2022 reviews: Kathy and Stella Solve a Murder! / Hiya Dolly!
A musical whodunnit and an ovine origin story
Prom 27, Dinnerstein, National Youth Orchestra, Gourlay review - colour symphonies
A luscious musical tour with the cream of young players
Burn, Edinburgh International Festival 2022 review - bold, risky, sometimes baffling
Strong constituent parts in Alan Cumming's Burns dance show - but do they add up?
Utopia, Limited, National Gilbert & Sullivan Opera Company review - bounded rapture
Savoy turkey almost flies, in a spirited new staging
Edinburgh Fringe 2022 reviews: Boy / Intruder|Intruz
Two shows at Summerhall explore issues of identity - though with contrasting outcomes
Album: Boris - Heavy Rocks
Chaos and fury born in Japan
Edinburgh Fringe 2022 reviews: Les Dawson: Flying High / Boris III
'World king' as a young man; and a comedy legend
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