Vuvuzela: a final note from Berlin | reviews, news & interviews
Vuvuzela: a final note from Berlin
Vuvuzela: a final note from Berlin
Thursday, 22 July 2010
The vuvuzela's long and literally monotonous journey from Soweto to the very epicentre of high European culture is complete. During the World Cup they blew it with incessant vigour on the terraces of South Africa's stadiums. Now they're blowing it in the Berlin Phil.
The vuvuzela's long and literally monotonous journey from Soweto to the very epicentre of high European culture is complete. During the World Cup they blew it with incessant vigour on the terraces of South Africa's stadiums. Now they're blowing it in the Berlin Phil.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more Classical music
First Person: Alexandra Dariescu on highlighting women at the Leeds International Piano Competition
A distinguished pianist fights for more balanced international programming
Proms 63-65, Choral Day review - from Harris to Handel/Mozart via Alabama, with love
British and American beauties crowned by a cornucopial 'Messiah'
Prom 62, Mahler's Sixth Symphony, Bavarian RSO, Rattle review - sound over momentum
Near-perfect playing, but something missing in the overall drama
Prom 61, Bavarian Radio Symphony Orchestra, Rattle review - Bruckner without tears
A lithe, smooth journey around a craggy masterpiece
Prom 58, Orchestre de Paris, Mäkelä review - risky reinvention pays off in part
Berlioz fares better than Stravinsky in a master conductor’s fresh takes
Prom 55, Ólafsson, Berlin Philharmonic, Petrenko review - stealth and sweep from the greatest
Smetana’s national epic has abundant operatic drama and orchestral beauties
Prom 54, Ma, Ax, Kavakos review - exquisite display of humility and communication
Three musicians at the top of their game tease out the subtleties of the repertoire
theartsdesk Q&A: conductor Dalia Stasevska on her new album of contemporary orchestral music
Finnish-Ukrainian conductor looks to bring the music of today to new audiences
Classical CDs: Beans, carrots and bassoons
Danish pianism, a great conductor's Italian recordings and a bold contemporary compilation
Prom 50, Fujita, Czech Philharmonic, Hrůša review - revelations where least expected
Fresh-faced, unpredictable Dvořák, majestic if not entirely visceral Janáček
Prom 49, Kobekina, Czech Philharmonic, Hrůša review - what an orchestra
Glorious playing save for a disappointing cellist
Verdi's Requiem / Capriccio, Edinburgh International Festival 2024 review - words, music, judgement
Philharmonia Orchestra closes the festival with grandeur and intimacy
Add comment