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Black Doves, Netflix review - Keira Knightley and Ben Whishaw battle against the implausible
Can anyone be trusted in Joe Barton's twisty London drama?
The Commander review - the good Italian
Chivalrous valour at sea from a real World War Two hero
Ballet Shoes, Olivier Theatre review - reimagined classic with a lively contemporary feel
The basics of Streatfeild's original aren't lost in this bold, inventive production
Christmas with Connaught Brass, Milton Court review - delightful seasonal fare from Bach to Boulanger
Young quintet dazzle with their technical accomplishment and easy charm
Nocturnes review - the sounds of the rainforest transport you a remote region of the Himalayas
Mansi spends her nights counting moths in North East India
Cinderella, Royal Ballet review - inspiring dancing, but not quite casting the desired spell
A fairytale in need of a dramaturgical transformation
Julia Holter, Islington Assembly Hall review - shelter from the storm in experimental delight
A night of old and new from a leftfield virtuoso
Music Reissues Weekly: John Leyton - Lone Rider The Holloway Road Sessions 1960-1962
‘Johnny Remember Me,’ Joe Meek and the evolution of British pop
theartsdesk Q&A: filmmakers Guy Maddin, Evan and Galen Johnson on 'Rumours'
Archetype-bending auteur Maddin and co. discuss their new film's starry, absurd G7, autobiography and artifice
Merchant Ivory review - fascinating documentary about the director and producer's long partnership
Stephen Soucy examines Ismael Merchant and James Ivory's complicated relationship with input from many stars
The Pirates of Penzance, English National Opera review - fresh energy in clear-sighted G&S
Tenor lead shines, and conductor finds new beauties in Sullivan's score
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