Steve Reich talks about music | reviews, news & interviews
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Kiri Pritchard-McLean, Brighton Dome review - a foster carer's tale
Comic skilfully melds a personal story with sharp social commentary
Reykjavik, Hampstead Theatre review - drama frozen by waves of detail
Richard Bean’s new work play revisits the Hull fishing industry of the 1970s
Music Reissues Weekly: Gerry and the Pacemakers - I Like It! Anthology 1963-1966
How the key Merseybeat hitmakers were left behind as pop moved on
London Film Festival 2024 - Nickel Boys, crime and punishment and Ukraine
Colson Whitehead's Pulitzer-winner adapted, a Belgian serial killer, Chinese odyssey and sexist Indian police in our final round-up
The Orchestral Forest, Smith Square Hall review - living the orchestra from the inside
Immersive concert explores the plight of the British rainforest through music
London Film Festival 2024 - a shaman and sham
Warren Ellis saves wildlife and himself, Pavement go post-modern in two music docs
Documentary highlights from the 2024 London Film Festival
A close look at insightful new non-fiction films about single motherhood, visionary photographers, scam artists, legacies of colonialism, and more
Classical CDs: Leaves, prisms and sub-bass
A great pianist bows out, plus two cello discs and a new organ's first outing
The Forsyte Saga Parts 1 and 2, Park Theatre review - if Chekhov did soap operas
Joseph Millson leads a super cast in a classy production from Troupe Theatre Company
Album: Halsey - The Great Impersonator
The US star muses on mortality via channelling her musical heroines
Venom: The Last Dance review - Tom Hardy's people-eater bows out
Poignancy studs the digital punch-ups as the super-alien saga concludes
theartsdesk Q&A: director Jacques Audiard on his Mexican trans gangster musical 'Emilia Pérez'
The French filmmaker concocted an extravagant genre mash-up to confront the tragedy of Mexico's 'disappeared'
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