Founder rate ends 9th September.

We’re rebuilding theartsdesk to secure the future of real arts journalism. Be part of it by subscribing: if you do it now, the founders’ rate of just £40 yearly is yours FOR LIFE!

SUBSCRIBE NOW 

‘Up’s the New Down’ in Pete Fij’s world

The South Coast’s king of indie cool goes solo

share this article

The Return of Pete Fij

Pete Fij’s debut solo album, Up’s the New Down is a sharp set of songs that sees the former Adorable front man back in the ring for the first time in quite a while. Hip-swinging yet laidback, self-aware but still cool, it’s a disc that may be reflective but still has plenty of zing about it. Given that it’s a good 30 years since he was being touted as a possible "Next Big Thing", he’s surprisingly better preserved than plenty of other veterans of those heady times too.

Adorable were the Creation band that Noel Gallagher famously berated Alan McGee for cutting loose but Pete has never totally disappeared into the wilderness – having initially formed post-Britpoppers Polak and subsequently joining up with Terry Bickers of House of Love and Levitation fame. Up’s the New Down, however, sees him rather more seriously limbering up making his mark once again.

This album is emphatically no lazy attempt to trade on past glories though and while it isn’t without influences, they aren’t worn especially heavily. Where once there were fuzzy guitars and a widescreen sound, Pete’s songs are now more refined and somewhat sharper. Where there was once a hint of miserabilism, he seems rather more optimistic as he sings of ditching the frown, getting happy and embracing life and love. So, clearly things have been looking up in recent times.

Opening track, “Love’s Coming Back” sets something of a precedent – with a hint of primetime Jesus and Mary Chain to power things along. While “Complicated” takes a hard look at lust after the first flower of youth is something of a distant memory, before subsequently blooming into love during “Kitchen Disco”. Of course, with age often comes a degree of doubt and on the fine “Fragments”, Pete freely admits that “I was whole but now I’m incomplete”. However, that’s clearly made for a life that’s been lived a fair bit and some fine songwriting to boot.

This album is emphatically no lazy attempt to trade on past glories

rating

4

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 9th September this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

Geese's set was greeted by an adulation it mostly deserved.
The South Coast’s king of indie cool goes solo
On the eve of the release of the new Soul Revivers album, a roots reggae expert goes deep
Fourth album from singer-guitarist contains old-fashioned rock songs and ire-fuelled vim
A compilation made up of new tracks, fan favourites and remasters
No alcohol, but music, fun and transformation in leafy Berkshire
US prog metalheads regroup after the departure of Brent Hinds
Exhaustive box set dedicated to the North London band which briefly featured David Bowie
Glorious soundpainting from Ambrose Akinmusire and arrangements by Miho Hazama
The deep blues of Black British soundsystem music explored in elegant ways