New music
Thomas H. Green
This concert is called My Life in Music and the Italian film composer Ennio Morricone seems determined to take us on a journey from his origins in Italian B pictures to inarguable and gigantic orchestral opulence. In the 1960s he put together iconic and resonant music on a tight budget, with limited ensembles and quirky instrumentation. These made his name, along with that of the director Sergio Leone. Tonight, clad in black, wearing a polo-neck, conducting the Czech National Symphony Orchestra and a mighty choir, he revels in hugeness. Now 86, this is Morricone’s rescheduled global tour, Read more ...
Kieron Tyler
Martin Hannett & Steve Hopkins: The Invisible GirlsWhile acclaimed for his glacial productions for Joy Division and New Order, Martin Hannett was also a musician in his own right. With bass guitar in hand and alongside composer-keyboard player Steve Hopkins, the duo recorded as The Invisible Girls. Under that name, they provided music for albums by John Cooper-Clarke, ex-Penetration singer Pauline Murray and provided a sonic bed for Nico. They also contributed to Hannett-produced records by Durutti Column and Jilted John.The Invisible Girls celebrates a more under-the-radar Read more ...
Kieron Tyler
Fifteen seconds into I Love You, Honeybear, it’s clear this an album concerned with sonic grandeur. Strings swell while a mournful pedal steel evokes the dejection of Gene Clark’s White Light, the 1971 album by the ex-Byrds member which has come to define the nexus of the grand musical gesture and the intimate missive. As the title song album-opener progresses, Joshua Tillman sings “I’ve got my mother’s depression.”I Love You, Honeybear is the second album from Tillman in his Father John Misty guise and follows his 2012 departure from Fleet Foxes – he was their drummer. Overall, it’s his Read more ...
Lisa-Marie Ferla
Woman to Woman, the second solo album from Denver songwriter and former Paper Bird front woman Esmé Patterson, has an origin story almost as interesting as the music. Teaching herself to play Townes Van Zandt’s “Loretta” during some down time on tour, Patterson found herself getting frustrated at the song’s depiction of a passive bar-room girl so in awe of the great songwriter that she drops everything any time he passes through and “don’t cry” when he’s gone. She put down her guitar, picked up her pen and the result was “Tumbleweed”: a funny and furious riposte in which Patterson, playing Read more ...
Guy Oddy
It’s now more than 10 years since The Subways came roaring out of Hertfordshire in late 2004 with their adrenaline-charged debut single, “At 1 am”. Since then they’ve released three albums which have all threatened, but failed, to deliver the widespread commercial success which the band certainly deserves. Their self-titled fourth album sees the Subways on familiar territory with plenty of catchy tunes and sing-along choruses and has the potential to finally move their career up a gear.Last year’s single, “My heart is pumping to a brand new beat” opens things up with a classy, Blondie-esque Read more ...
mark.kidel
Bob Dylan closed his recent concerts with a heart-rending version of “Stay with Me”, a melancholy lament made famous by Frank Sinatra. It's worth remembering that, born in 1941, Bob Dylan didn’t grow up on a diet of folk and blues. Sinatra was the biggest hit-maker of his early youth, a dominant presence on the airwaves he was exposed to as a child.This is no tribute album, neither is it a piece of opportunism, as Dylan has never traded on received ideas or well-tried music business tricks. Even his Christmas album was shot through with irony as well as joy. With Time out of Mind, which now Read more ...
Thomas H. Green
Last autumn Rumer reappeared with her third album, Into Colour, surprising everyone with a lead single that was disco-flavoured. The rest of the album was closer in scope to the opulent LA easy listening and classic West Coast singer-songwriter fare that the singer has made her own since her first major label single, “Slow”, blew up in 2010.Born Sarah Joyce in Islamabad in 1979 to a large British family, she found she was the result of an affair between her mother and their Pakistani cook. The death of her mother in 2003 affected her profoundly and, when she attempted to track her blood Read more ...
Matthew Wright
Russian saxophonist Zhenya Strigalev, whose band of stars Smiling Organizm has now released its second album, cuts a rather romantic figure in jazz, hopping from continent to continent, his saxophone as calling card. Along the way, he has accumulated an outstanding band of mainly American players, including trumpeter Ambrose Akinmusire, bassist Larry Grenadier and drummer Eric Harland, though there’s still a quirky, rootless individualism about much of this album that sounds like a band whose origins cross oceans. Where Strigalev’s compositions really stand out is in the blending of Read more ...
Peter Quantrill
If what you wanted to do was go out to the middle of the Mexican desert, invert the Cross and dip it in blood, screaming obscenities all the while, surrounded by a sunburnt band of fellow travellers all off their heads on mescalin, Tutuguri is definitely the music you’d want to do it to. Which is OK, because those are pretty much the images conjured up by Antonin Artaud’s poem-radio play To Have Done with the Judgment of God, which prompted Wolfgang Rihm to make a two-hour instrumental setting of this "Rite of the Black Sun" for large orchestra, taped chorus, howling vocalist (Leigh Melrose) Read more ...
Heidi Goldsmith
Rarely in London do the lights rise up after a live gig to reveal eyeballs glistening with euphoria, total body sweat and a communal stitch gradually dying down among the water-guzzling herd. Indeed it’s an unusually bestial scene for Café Oto, mostly home to a more intellectual post-concert fervour. But fully-misted windows and naked midriffs, it turns out, suit their concrete Berlin-esque chic surprisingly well. In fact there are few London venues who, through persistently interesting programming, have retained enough artistic integrity to properly showcase a group of Congolese punk- Read more ...
Lisa-Marie Ferla
It’s not obvious, listening to her work, just how funny Tanya Tagaq is. Her modified version of Inuit throat-singing-for-one, introduced to a wider audience on Bjork’s Medulla, has been called many things: intense, powerful, primal. But just when you’re ready to put her work in a box condescendingly labelled “world music”, to be trotted out at middle-class dinner parties as a way of showing off just how capital-A Alternative you are, you might figure out that the pulsing, all-encompassing opening track to her Polaris prize-winning third album Animism, is in fact a cover of Pixies’ “Caribou”. Read more ...
Kieron Tyler
Motorpsycho: Demon BoxAfter a burst of guitar feedback, heavy, snail’s-pace drums pound. A massive, churning riff kicks in. The agitated singer tells of bad dreams and blisters on his skin. It’s heavy, lumbering and could define the most challenging end of grunge. Then, suddenly, barrelhouse piano enters the mix along with a Hammond organ. The whole dissolves into a freakout recalling Deep Purple as much the fried psychedelia of jazzy Krautrockers Brainticket. At just over 11 minutes, it’s quite a trip.The song is “Mountain”, a fantastic track from the 1993 Demon Box album by Norway’s Read more ...