You might consider equipping yourself with a shotgun and kevlar body armour before you start watching Gangs of London (Sky Atlantic), because this is a bruising, hair-raising ride. Created by Gareth Evans and Matt Flannery, it began with the televisual equivalent of being thrown from a fast-moving vehicle, as we saw a terrified man dangling on a rope over the edge of a high-rise building.

Amazon had already been declared the world’s most valuable public company before COVID-19 struck, but under the current stay-indoors regime, its online retailing and streaming entertainment services have been given an astronomical extra boost. The now-ubiquitous Amazon Prime delivery boxes would probably stretch to the moon and back if laid end to end.

The “relocation in search of a new life” theme has become a dependable TV staple, from A New Life in the Sun to Relocation, Relocation and Ben Fogle’s New Lives in the Wild, but this Channel 5 series by Kate Humble has been more entertaining than most. Perhaps it’s because we captive, locked-down TV viewers are yearning to roam free in wide-open spaces.

James Graham’s play Quiz was a hit in Chichester in 2017 and then made a much-admired transfer to the West End. Considering its subject matter – the fabled “Coughing Major”, Charles Ingram, who allegedly cheated his way to the titular seven-figure sum on Who Wants to Be a Millionaire? – it was a natural for TV.

Open-mouthed incredulity is a reasonable reaction to this 2012 documentary on one of the UK’s prime punk-spawned bands, available on catch-up via streaming service Now TV’s tie-in with Sky Arts. There’s not much “rise” but there’s an awful lot of “fall” in The Rise and Fall of The Clash.

One year on the world is drastically altered, but footage of Notre Dame’s stricken spire collapsing in flames is no less shocking. That this event, endlessly replayed, has not paled against the new reality of daily death tolls is testament to the scale of the loss. As the rector of Notre Dame, Patrick Chauvet put it: “Notre Dame is not just Paris, it’s France and beyond France, it’s the world.”

The case of the British teenager allegedly raped by a group of young Israeli men in Ayia Napa in Cyprus last year, only to find herself convicted of “public mischief”, has built up a head of steam in the international press and has provoked outrage among women’s movements and rights campaigners. Reactions were triggered not just by the nature of the act itself, but also by the way the case was handled by the Cypriot authorities.

Days before the Cambodian capital Phnom Penh fell to the Khmer Rouge in 1975, orphaned baby Li-Da was flown out of the country, and was eventually adopted by Prue Leith and her husband Rayne. Leith’s culinary star was rising rapidly, and her husband was a successful writer and businessman. Their Cotswolds home became a fairytale setting in which their adopted daughter could make a fresh start.

Watching Run, HBO’s newest seven-part series, feels like off-the-rails escapism: it’s a fast-paced thriller about dropping everything, chasing intimacy and courting danger. It’s a vicarious adventure centred on a woman who has spent too long stuck at home. Run has hit our screens at the best possible time.

Instant spoiler alert: she’s not dead. But do we care? Prepare for the plumbing of new psychological depths from showrunner Suzanne Heathcote, previously story editor, appropriately enough, on Fear the Walking Dead, but that may not be enough to keep series 3 from veering into slightly dull and serviceable territory, judging by the first three episodes. Murderous clowns at a kids’ party, for example, have surely been done to death.