Das Boot made an impressive debut early last year with its entwined narratives of war by land and sea.
Andrew Marr’s art show is a lot of fun, although engulfed in almost overwhelming banality and cliché. Our enthusiastic presenter is a self-confessed addict of art. As a pillar of television presentation, he is a natural for this series looking at individual paintings, 10 in all starting with Leonardo's Mona Lisa.
Reese Witherspoon has evolved into a growth industry on the new frontier of Big Television. Her production company Hello Sunshine has a heap of projects on the go with a range of networks, and following her success with Big Little Lies (for HBO), Little Fires Everywhere comes to you courtesy of Hulu (in the US) and Amazon Prime.
It’s impossible to tell whether this reality-doc series (C4) came to praise Best Western hotels or kill it off entirely. Some viewers have been weeping with laughter at the David Brent-style antics of the company’s Aussie CEO Rob Paterson and his motivational slogans (Smash It!, Give a *** etc), while others have hailed it as a red-flag warning about how not to run a business.
Great idea to use a symphony orchestra as the basis for a TV drama, because all of human life is there. Not to mention death, since this entertaining, though melodramatic, new French import (Channel 4) began with the dramatic collapse on the podium of veteran conductor George Delvaux just as he was launching into the finale of the New World symphony. He was pronounced dead at the scene.
Since Donald Trump's election as US President in 2016, I imagine satirists have slowly lost the will to live – as nothing they can write can outdo his buffoonery. But when Greg Daniels (creator of the American version of The Office) and Steve Carell (its star) announced they were inspired to write Space Force from one of his ideas, it augured well.
This short series of new dramas (on BBC Four) by a group of leading playwrights was commissioned by Headlong and Century Films, a week before the virus lockdown was announced on 23 March, and represents an artistic first response to a situation nobody can fully comprehend.
David Olusoga’s A House Through Time concept (BBC Two) has proved a popular hit, using a specific property as a keyhole through which to observe historical and social changes. After previously picking sites in Liverpool and Newcastle, this time he’s chosen Bristol, the city where he has lived for over 20 years.