tv reviews
theartsdesk

Okay, so some people taught themselves the violin or wrote a novel, but under this year’s circumstances, it was inevitable that television (terrestrial, cable, online or otherwise) was going to clean up. With large chunks of the population forced to stay home, what could be more natural than to reach for the remote controller to magic up another bingeable boxset or Walter's latest noir thriller?

Saskia Baron

It’s dangerous territory, remaking a classic British film as a TV mini-series. In 1947 when Michael Powell and Emeric Pressburger created Black Narcissus, a heady adaptation of Rumer Godden’s 1939 novel, they never set foot in the Himalayas.

Joseph Walsh

They say "never meet your heroes". That may be true, but it forms the premise of a new TV drama concerning two of the worlds most famous childrens authors – Beatrix Potter and Roald Dahl – who encounter each other at opposite ends of their life. 

Adam Sweeting

At first glance you might mistake Bridgerton (Netflix) for the latest effusion from the pen of Lord Fellowes, since it conforms so closely to the Fellowesian pattern of manners, money and mores among the English aristocracy. Even the title sounds like a mashup of Downton and Belgravia.

Adam Sweeting

Having launched their new-look All Creatures… back in September to wild acclaim, it was a no-brainer for Channel 5 to commission this Christmas Special. The only mystery is why they didn’t schedule it for Christmas Day, where it would probably have seen off most of the not-very-thrilling competition.

David Nice

If you’ve loved every episode of Ben Elton’s Shakespeare and Co comedy, you’ll know what to expect – but you’ll have to swallow bittersweet pills from only two of the excellent ensemble who’ve given us such comfort and joyous rapid-fire delivery of wordsmithery over three series (and on the London stage, as it was before mid-March).

Thomas H. Green

The fifth and final film in the Small Axe series is titled Education. At first, it appears this refers to the education of the central character, 12-year-old London boy Kingsley Smith, impressively played by Kenyah Sandy, who’s transferred to a disgraceful “School for the Educationally Subnormal” after being disruptive.

Adam Sweeting

Breaking away from the outlandish shenanigans in Little Big Bear in the Canadian wilds of its first two series, this third outing for Tin Star brings Jack Worth (Tim Roth), wife Angela (Genevieve O’Reilly) and daughter Anna (Abigail Lawrie) back across the Atlantic to Liverpool to confront dirty secrets they’ve been running away from for 20 years.

Adam Sweeting

The seductively breathy Joanna Lumley supplied the voice-over for this hugely entertaining romp through the history of Coronation Street, celebrating “the Diamond Jubilee of the world’s longest-running soap.” Yet wasn’t the uber-posh Lumley, scion of the British Raj, a discordant choice for this long-running saga of Mancunian folk?

David Nice

Anyone who expects traditional narrative in Steve McQueen’s five Small Axe films about the black experience in the London of the 1970s and 80s will be disappointed.