You can see why the BBC's drama gurus wanted to have a go at remaking South Riding, which last came around in 1974's hit version from Yorkshire Television. It has drama, romance, social conflict, lofty ideals and looks a bit like a parable for our cash-strapped times. Processed through the screenwriting circuitry of Andrew Davies, TV's novel-adapter par excellence, it has emerged as a superior soap tailored with mercenary expertise for that demographic sweet spot that is 9pm on a Sunday night.

When Treme debuted on HBO in the States, some excitable critics watched the pilot episode and instantly proclaimed it a masterpiece superior even to The Wire. David Simon, who created both shows, may have been delighted. Or on the other hand, he might have wondered how anybody could assess a complex, long-term portrayal of New Orleans in the aftermath of Hurricane Katrina so categorically on so brief an acquaintance.

There is little danger of our nation wasting away for the lack of culinary-themed televisual roughage: hairy bikers, domestic goddesses, campaigning wide boys, chicken-liberating poshos, alpha-male bully boys, Michelin-starred French fusspots. Channel hopping some nights feels more like flicking through the world's least coherent cook book.

News reaches us of discontent within the so-called "travelling community", where not everyone appreciates the portrait of Romany life which has been emerging from Channel 4's hit series. Perhaps they didn't like all that stuff about hairy-knuckled male chauvinism, women being married off as teenagers and kept in the kitchen, and the gypsies' habit of settling disputes by staging punch-ups in car parks.

I only needed to see the trailer of this new eight-part science-fiction series for the words “Battlestar” and “Galactica” to spring depressingly to mind: the neutral colourlessness of everything, the characters looking meaningfully into the middle distance, the scrubby Earth-like landscape of Carpathia (rather than its almost anagrammatic Caprica from Battlestar), and the fact that this was another bunch of disenfranchised humans trying to settle on a new planet.

BBC Four's Britannia series keeps it simple - it tells the story in a straight line, illustrates it with as much archive material as the budget will allow, and interviews as many key protagonists as it can find. If the subject is strong enough, you'll get a good film out of it.

@Wossy seems to have been cast as second baddie in #PiratesduCaribbean 4

This intro is entirely about namechecking the films so they can cut away to the US stars who've jetted in from #Tinseltown

Lame string of Little Fockers jokes.

These clips montages always make films look like the complete Shakespeare. Then you go and see them...

@Wossy seems to have been cast as second baddie in #PiratesduCaribbean 4

Yes, the Sky 1 drama department is trying to elbow some room on the national sofa and their policy with Mad Dogs is to cast it to the very hilt. Thus John Simm, Philip Glenister, Max Beesley and Marc Warren, playing four old lags who’ve sort of lost touch over the years, board a plane for Spain, summoned for a nostalgic bunfight by another compadre.

A film apparently in support of British servicemen on BBC One? The Daily Mail will never believe this. Whatever, this was a bleak, unsparing investigation of the way veterans of our nation's various pointless and endless wars are dumped back into civilian life with scant regard for their mental health or physical wellbeing.