They keep on coming, these crime dramas, from every direction. The Viking invasion continues, the co-productions with France, the ongoing American global takeover. Meanwhile back in Blighty, Red Productions have been a reliable source of quality drama since the 1990s. Their most recent forays into crime have both involved Sally Wainwright: Happy Valley was theirs, and so was Scott & Bailey.

This look back at the events earlier this year when the country elected to buy a car, sight unseen – and from proven liars – to drive us into an imagined and politically unstable future, was a little confusing to me at first. Now, I do remember a fat, milky manchild holding a pasty aloft like some kind of magic totem – that definitely happened. I remember Toad of Toad Hall standing in front of a deeply racist poster hoping to elicit passion from patriots on the very same day that a Labour politician was brutally murdered by an angry racist.

If you’ve had half an eye on BBC Four’s conceptual art week, you’ll have noticed that the old stuff is where it’s at, with Duchamp’s urinal making not one but two appearances, equalled only by Martin Creed, that other well-known, conceptual stalwart (who actually isn’t as old as he looks). The BBC would say that this is because 2016 marks the centenary of Dada, the anarchic, absurdist art movement (if a movement is what it was) that saw artists begin routinely to challenge and ridicule accepted ideas about art – what it is, why it is and what it’s for.

Arresting elderly entertainers for historic sexual abuse now appears to be the primary function of the police, and here they are doing it again in Jack Thorne's new drama about veteran comic Paul Finchley.

The wilder shores of contemporary visual art are now ephemeral or time-based: performance, installation, general carry-on and hubbub. But once upon a time – say, the 1960s – it was the nature of objects, pared down to essentials, and often made from real materials sourced from the streets, builders’ yards and shops, that startled: the idea made manifest without old-fashioned notions of the hand-made, craft or manual skill.

On the face of it a murder mystery, The Night Of develops steadily into a panoramic survey of the American justice and prison system and attitudes to race and class. Produced by BBC Drama and HBO, it's based on the BBC's 2008 series Criminal Justice (which starred Ben Whishaw). The good news is you can watch all eight episodes right away on Now TV.

In film and photography, zoos and on safari (we should be so lucky) we admire the great cats, kings of jungle and forest, top of the food chain, predators, and gorgeous to boot. But in spite of this admiration, some human populations hardly bear affection for the cheetah or lion because of their perceived threat to cattle, while human encroachment on their habitat is leaving many a feline population vulnerable and endangered.

Sixty years of sitcoms in 60 minutes? That's a big ask, but the makers of this whizz-through of British sitcoms tried, with a mega session of clips and comedy experts opining about them in a one-off documentary charting the importance of sitcom in British broadcasting history.

Documentary film-maker Richard Macer, who has only just bought his first copy of Vogue, is embedded in the magazine in its centenary year. “The office here is a very polite and guarded world,” he murmurs nervously. “Over the next few months I’m hoping to get under the skin of the place, find out what the rules are.”

Motherhood seems to be a thing for Sharon Horgan at the moment. First came Catastrophe, the Channel 4 comedy about unplanned parenthood she writes and co-stars in with Rob Delaney, and now Motherland, a pilot co-written with Graham and Helen Linehan and Holly Walsh for the BBC.