There is an endearing awkwardness with Dry Cleaning, despite steady success over the past three years. “Does anyone else want a wave?” asked their frontwoman Florence Shaw at one point, almost shyly, before proceeding to do just that in various directions.
It was an intriguing contrast, between a group who seemed slightly taken aback by the size of venue they were playing, and the manner in which they emphatically delivered their material in that setting during this gig.
Welcome to the first theartsdesk on Vinyl of 2023 and it’s another whopper, over 8000 words and a range of musical styles that defies genre or categorization, from the most cutting edge sounds to boxsets of golden vintage pop. Dive in!
VINYL OF THE MONTH
Jimmy Edgar Liquids Heaven (Innovative Leisure)
For Dave Brubeck, his Quartet’s first concert in the Netherlands was memorable. Getting to Amsterdam’s Concertgebouw for the 26 February 1958 booking was difficult, possibly unfeasible. The band were travelling from Berlin, and arrived at the show a half-hour after they were meant to be on stage.
When Marina Allen’s second album Centrifics came out last autumn, the Los Angeles singer-songwriter said her voice was the only instrument on the record. She writes on guitar and piano but beyond what she sang, everything else was played by collaborators. Seeing her live might reveal how she saw the songs away from their studio setting – maybe getting close to how they were originally conceived.
It all ended in great style, the 20th edition of The Transatlantic Sessions which closed out its tour at London’s Southbank Centre on Saturday. The line-up of musicians is, of course, an embarras de richesse: a house band led by Aly Bain, master fiddler and Scottish icon, and Jerry Douglas, dobro and steel guitar maestro, a Nashville legend whose mantelpiece bears the weight of 14 Grammys.
The most commercially and consistently successful band on DinDisc was Orchestral Manoeuvres in the Dark. Martha and the Muffins also made a mark. Label mates The Monochrome Set were cool, distinctive but not so chart friendly. The Revillos were less reserved, as was New Wave of British Heavy Metal outfit Dedringer. The patronage of Heaven 17 brought dance troupe Hot Gossip to the label.
In this context, what’s named “diamond road” is a metaphor for staying on course rather than, as the lyrics of the song “Diamond Road” put it, letting yourself go or sprawling all over the floor. Follow this route and life won’t be a mess.
Eliza Carthy has been busy, as she always has. Recording various albums with various artists during the pandemic, her show with her band, The Restitution (and many others), at the Barbican on Saturday, was well stuffed with music, musicians, laughter, familial connections and celebrations.