Budget constraints. In the hands of the right filmmakers, they can be a blessing in disguise, forcing creativity from simplicity. That’s exactly what works for The Toll, a dark comedy set in the wild west of these isles: Pembrokeshire.

It’s often the company one keeps that makes a journey worthwhile, not the destination. That’s as true for the five ebullient Fort William schoolgirls making their first trip to Edinburgh in Our Ladies as it is for the film’s audience. These Highland hoydens are so much fun, it’s a pity when our brief time with them ends.

The Nest is a peculiar animal, hard to nail down, parts family drama and social satire, but with a creepy sense of suspense rippling under the surface that threatens to bust the plot wide open. 

Written and directed by Lisa Joy, who masterminded HBO’s Westworld TV series, Reminiscence is a grandiose sci-fi blockbuster that looks great, sounds deafening, but ultimately disappoints because it’s a genre-sampler that can’t find a distinctive voice of its own.

It’s always a bit worrying when distributors choose to open a film in August at the best of times, but after 18 months of covid playing havoc with release schedules, the backlog of titles has to be dealt with somehow. The Courier is one such movie, seeping out now in selected art house cinemas: if it doesn’t set the box office on fire, the distributors can blame the sunshine, not the drabness of the movie itself.

When CODA opened Sundance in May, it was an instant hit with that liberal, kindly audience and was snapped up by Disney at great expense. It’s easy to see why – CODA is a funny, easy-to-watch coming of age comedy that allows viewers to feel warm and understanding towards Deaf people. It’s got Oscar nominations written all over it. But I’m curious to see what the Deaf community make of the film.

A young film director writes a script based on his father’s life story and invites his dad to play the part. It’s an interesting gambit, given that the son, Jorge Thielen Armand left Venezuela with his mother at the age of 15 and has not returned since. His father stayed behind, so their relationship has stalled. Can it be reignited?

It’s hard to imagine a movie more of its time than Zola, as it takes on sex, race, the glamorisation of porn and the allure of the ever-online world. For 90 minutes we are embedded in the lives of two young American sex workers and it’s a wild ride that leaves its audience breathless as they try to keep up with the hand-brake turns and sudden changes of pace and tone.

How lovely it must be to direct a documentary about your favourite musicians and have no one stop you from cramming in everyone who has ever loved them too. The British director Edgar Wright, best known for his feature films (including Hot Fuzz, Baby Driver and Shaun of the Dead) and TV work (Spaced), is a superfan of the American musicians Ron and Russell Mael.

Displacement looms large over every quietly impressive frame of Limbo, writer-director Ben Sharrock's magnetic film about a young Syrian man called Omar (Amir El-Masry) who finds himself biding his time in the remotest reaches of Scotland on the way to some unknown new life.