mon 13/05/2024

Resonances at the Wallace Collection | reviews, news & interviews

Resonances at the Wallace Collection

Resonances at the Wallace Collection

Can an audio installation freshen up a recital in a stately home?

'Classical babe' Natalie Clein is expressive with Walton and BachEMI Classics
It's an admirable project: to recast the interiors of stately homes as immersive artworks, a musical recital combined with sound installations designed to make the viewer look anew at their surroundings. Certainly as I entered the hallway of Hertford House in Marylebone, where the Wallace Collection is housed, the rich, shifting tones of Simon Fisher Turner's electronic sound manipulations filled the air like perfume, amplifying the opulence of the surroundings and making me – and others – linger on the grand staircase.

It's an admirable project: to recast the interiors of stately homes as immersive artworks, a musical recital combined with sound installations designed to make the viewer look anew at their surroundings. Certainly as I entered the hallway of Hertford House in Marylebone, where the Wallace Collection is housed, the rich, shifting tones of Simon Fisher Turner's electronic sound manipulations filled the air like perfume, amplifying the opulence of the surroundings and making me – and others – linger on the grand staircase.

Comments

I was at the second performance. The soundscapes in all the room were really atmospheric, particularly the East Gallery where the sounds were shooting moving along the rooms. Amazing room for an amazing recital. It was cool, Mavis

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