cello
Fung, RPO, Schwarz, Cadogan Hall review - high style from new cellist and conductor on the blockThursday, 28 September 2023
You go to a concert, three-quarters of it popular classics – also great masterpieces – having been told you have to hear a brilliant young cellist, and into the bargain you also discover a remarkable conductor and an orchestra on top form shedding... Read more... |
Gerhardt, BBC Philharmonic, Gernon, Bridgewater Hall, Manchester review - calm and clear conductingMonday, 30 January 2023
Ben Gernon’s calm and clear way of conducting an orchestra (something he once told me he’d observed in the work of his mentor, Colin Davis) is good to watch and, I would guess, welcomed by those he directs. Since his time with the BBC... Read more... |
Sheku Kanneh-Mason and Harry Baker, Noisenight 13, Jazz Cafe review - distinctive and easygoing chemistryTuesday, 29 November 2022
The elation in the queue was palpable as people stood laughing and chatting in the November cold waiting for the doors of the Jazz Café to open for the latest crowd-funded event organised by Through the Noise. This 13th Noisenight – which brings... Read more... |
Sheku Kanneh-Mason & Friends, Bold Tendencies review - intimate tenderness under a car-park roofSaturday, 03 September 2022
When I worked in the Music Discount Centre decades ago, and non-stop CDs in the background were ordained, a customer remarked wryly of eight Bayreuth Festival horns playing Wagner “very crepuscular”. Five cellists playing Bach and Villa-Lobos as... Read more... |
Beethoven Cello Sonatas 1, Elschenbroich, Grynyuk, Fidelio Café review - towards epic songThursday, 28 April 2022
London’s musical life began its halting road to recovery when in July 2020 a great cellist, Steven Isserlis, stepped out with obvious delight to play Bach to a live audience at the Fidelio Café. Another, Leonard Elschenbroich, joined by the full-on... Read more... |
Kanneh-Mason, LPO, Bloxham, Congress Theatre, Eastbourne review - stark Russian contrastsWednesday, 23 February 2022
With a predictable Sheku sell-out in the hall, the context of post-Eunice clean-up and current teetering on the brink with Russia lent a strangely unsettling and salutary resonance to the programme of Shostakovich’s Second Cello Concerto framed by... Read more... |
Ballake Sissoko & Vincent Segal, Roundhouse review - kora and cello combinedThursday, 27 January 2022
Malian kora master Ballake Sissoko is a griot steeped in the musical and cultural traditions of West Africa, whose duets with his cousin Toumani Diabate on the world music classic, 1999’s New Ancient Strings, are rightly celebrated.His duets with... Read more... |
Alban Gerhardt, Markus Becker, Wigmore Hall review - long shadows and rich soundsTuesday, 15 September 2020
It wouldn’t be true to say I’d forgotten what a solo cello in a fine concert hall sounds like; revelation of an admittedly sparse year will undoubtedly remain Sumera’s Cello Concerto played by young Estonian Theodor Sink at the Pärnu Music Festival... Read more... |
BCMG, Heinen, Brindleyplace Birmingham review - from the concrete canyons to the starsFriday, 21 August 2020
Birmingham emerged from musical lockdown with Stockhausen. It couldn’t have been anyone else, really. There’s something about Stockhausen’s fusion of modernity and goofy intergalactic romanticism that clearly strikes a chord in the Second City... Read more... |
Steven Isserlis, Fidelio Orchestra Café review – distilled reflection, joy and witThursday, 09 July 2020
What music would you choose to hear for your first live event after nearly four months of lockdown? For me, it would be Bach, and probably any one of the Cello Suites. Interpreter? Ideally, one of four living cellists – so the dream came true last... Read more... |
Classical Music/Opera direct to home 8 - from troubled royal rituals to a lone cellistFriday, 24 April 2020
Inventiveness waxes ever stronger, it seems, in quarantine, as do the number of faces and instrumental sounds gathered together at any one time. As the branches diversify, embracing pre-filmed concert and opera, solo and multiple livestreams from... Read more... |
The Cellist/Dances at a Gathering, Royal Ballet review - A grand love affair with a celloWednesday, 19 February 2020
The cello is the stringed instrument most closely aligned to the human voice. It has a human shape, too, so in theory it was a short step for choreographer Cathy Marston to give it a living, breathing presence in her ballet about the legendary... Read more... |
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