mon 19/11/2018

cello

Hallé, Elder, Bridgewater Hall, Manchester review – pictorial, dramatic power

Sir Mark Elder’s first concert in the Hallé Thursday series for 2018-19 was on clearly mapped Hallé territory – Richard Strauss and Elgar. They have a reputation, and a tradition, of playing these composers’ music very well. They’ve already recorded...

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theartsdesk at Itinéraire Baroque 2018 - canaries in front of a Périgord altar

Brits are the folk you expect to encounter the most in the rural-England-on-steroids of the beautiful Dordogne. In my experience they outnumber the French, at least in high summer, not just as visitors and retired homeowners but also as artisans...

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h 100 Awards: Music - an impressive range of quality

One of the banes of music culture is over-categorisation. It always has been. The statement that there are only two types of music, good and bad, has been apocryphally attributed to a wide range of figureheads – most especially Louis Armstrong – but...

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theartsdesk at the East Neuk Festival 2018 - Bach as bedrock

There is a tide in the best-planned festivals that comes in and out almost imperceptibly, bringing with it changes as the days move on. Put it down to the kind of perfect planning that discards any one rigid theme, and to forging long-term links...

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Gerhardt, RPO, Payare, RFH review - personality muted by faceless conducting

Former Royal Philharmonic Orchestra principal conductor Charles Dutoit has been exposed, to little surprise from musicians, as something of a roué whose apparent refusal to take "no" for an answer has rubbed up against the new #MeToo world. So his...

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Classical CDs Weekly: Hindemith, Cantelli, Karajan, Peabody Cello Gang

Hindemith: Symphonic Metamorphoses, Nobilissima Visione, Concert Music for Strings and Brass WDR Symphony Orchestra/Marek Janowski (Pentatone)Instrumentalists appreciate Hindemith (all those solo sonatas!), as do those orchestral musicians lucky...

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Capuçon, Philharmonia, Järvi, RFH review - Dvořák in blazing focus

You can't have too much Dvořák in a single evening, at least not when the works in question operate at the highest level of volatility and melodic abundance like last night's overture, concerto and symphony. "Febrile centrists" might look like an...

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Weilerstein, Platt, Hallé, Elder, Bridgewater Hall, Manchester review - insight and passion

Alisa Weilerstein is making two visits to Manchester in just over three weeks. Last night it was with the Hallé, next time she’ll be guesting with the Czech Philharmonic. This one was to play the solo in Shostakovich’s First Cello Concerto, with Sir...

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Coates, Tenebrae, Short, Kings Place review - effective meeting of cello and choir

This time of year lots of choirs give lots of Christmas concerts that are more or less the same: traditional repertoire perhaps sprinkled with a few novelties. But Tenebrae’s concert on Saturday at Kings Place broke the mould with some imaginative...

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Johnston, BBCSO, Oramo, Barbican review - sheer adrenalin in early Sibelius

As the Parliament of the Autonomous Grand Duchy of Finland within the Russian Empire declared independence on 6 December 1917, Sibelius had his head down working on the third version of his Fifth Symphony, the one so hugely popular today. He tried...

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Messiaen & Shostakovich, St John's Smith Square review - Osborne and Gerhardt anchor 1940s masterpieces

Only connect. As the Southbank Centre's International Chamber Music Series at St John's showcased supreme eloquence in two searing but perfectly-proportioned meditations from the Second World War, over the road at Smith Square Europe House was...

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Soltani, West-Eastern Divan Orchestra, Barenboim, RFH review - passionate pilgrimages

A legendary name and the chance to change the face of a cruel condition set the stakes high for what Prince Charles, in his programme preface for this Southbank spectacular, told us was called the Stop MS Jacqueline du Pré Tribute Concert. There she...

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